{"id":101217,"date":"2023-08-25T13:11:57","date_gmt":"2023-08-25T10:11:57","guid":{"rendered":"https:\/\/milliycha.uz\/?p=101217"},"modified":"2023-08-25T13:12:06","modified_gmt":"2023-08-25T10:12:06","slug":"veroneze","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/veroneze\/","title":{"rendered":"Veroneze"},"content":{"rendered":"\n<p>Veroneze (Veronese) Paolo (haqiqiy ismi Kalyari, Caliari) (1528, Verona \u2014 1588. 19.4, Venetsiya) \u2014 Uyg&#8217;onish davri italyan rassomi. Monumental bezak, rangtasvir ustasi. Venetsiya maktabi vakili. Veroneze ijodi (asarlari, namoyon va dastxatlari) tantanavor ruhdagi ijrosi, me&#8217;morlik bilan uzviy bog&#8217;liqligi, mujassamotlarining kengligi, yorqin tovlanuvchi kumush rangning ustunligi bilan ajralib turadi. Shuningdek uning asarlaridan diniy mavzular, qadimgi Rim oqsuyaklarining dabdabali hayoti ham keng o&#8217;rin olgan. Kartina va devoriy rasmlarida atlas, zarbof va shoyi libos kiygan zabardast va go&#8217;zal kishilar ifodalangan. Rassom ularni imorat va moviy osmon fonida tasvirlaydi: Mazerdagi Barbarovolpi villasidagi freskalar, &#8220;Kanidagi nikoh&#8221; (1563, Luvr), &#8220;Kuchchin va avliyolar bilan turgan Madonna&#8221; (1570), &#8220;Venetsiya zafari&#8221; (1578-85), &#8220;Agar va Ismoil sahroda&#8221;(1580 yillar), &#8220;Iso payg&#8217;ambarga motam tutish&#8221; (1580 yillar) va boshqalar.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Veroneze (Veronese) Paolo (haqiqiy ismi Kalyari, Caliari) (1528, Verona \u2014 1588. 19.4, Venetsiya) \u2014 Uyg&#8217;onish davri italyan rassomi. Monumental bezak, rangtasvir ustasi. Venetsiya maktabi vakili. Veroneze ijodi (asarlari, namoyon va &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/veroneze\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[207],"tags":[],"class_list":["post-101217","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-v-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/101217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=101217"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/101217\/revisions"}],"predecessor-version":[{"id":101230,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/101217\/revisions\/101230"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=101217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=101217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=101217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}