{"id":102815,"date":"2023-08-30T15:14:40","date_gmt":"2023-08-30T12:14:40","guid":{"rendered":"https:\/\/milliycha.uz\/?p=102815"},"modified":"2023-08-30T15:14:51","modified_gmt":"2023-08-30T12:14:51","slug":"radun-iosif-veniaminovich","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/radun-iosif-veniaminovich\/","title":{"rendered":"Radun Iosif Veniaminovich"},"content":{"rendered":"\n<p>Radun Iosif Veniaminovich (1911.31.7, Melitopol shahri \u2014 1988) rejissyor, pedagog. O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1965). Moskva teatr san&#8217;ati institutini tugatgan (1939). Toshkent yosh tomoshabinlar teatrida bosh rejissyor (1947-48), ayni vaqtda rus akademik drama teatrida (1945-46) rejissyor 1945 yildan Toshkent teatr va rassomlik san&#8217;ati institutida kafedra mudiri, dotsent (1948 yildan). O&#8217;zbekiston teatrlarida ko&#8217;pgina spektakllar [&#8220;Vanya tog&#8217;a&#8221; (A. Chexov), &#8220;Shoh Edip&#8221; (Sofokl), &#8220;Revizor&#8221; (N. Gogol), &#8220;Otello&#8221; (U. Shekspir), &#8220;Qo&#8217;zibuloq qishlog&#8217;i&#8221; (Lope de Vega), &#8220;Uch bahodir&#8221; (T. Sobirov), &#8220;kimga to&#8217;y, kimga aza&#8221; (N. Safarov), &#8220;Zarafshon qizi&#8221; (D. Fayziy) va boshqalar] sahnalashtirib, o&#8217;zbek teatri san&#8217;ati rivojiga munosib hissa qo&#8217;shdi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Radun Iosif Veniaminovich (1911.31.7, Melitopol shahri \u2014 1988) rejissyor, pedagog. O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1965). Moskva teatr san&#8217;ati institutini tugatgan (1939). Toshkent yosh tomoshabinlar teatrida bosh rejissyor (1947-48), ayni &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/radun-iosif-veniaminovich\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[214],"tags":[],"class_list":["post-102815","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-r-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/102815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=102815"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/102815\/revisions"}],"predecessor-version":[{"id":102837,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/102815\/revisions\/102837"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=102815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=102815"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=102815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}