Shamsiddinov Fazliddin (1916.13.1, Buxoro \u2014 1980, Toshkent) \u2014 dirijyor, O’zbekiston (1965) va Qoraqalpog’iston (1973) xalq artisti. Moskva O’zbek opera studiyasini (1941), Toshkent konservatoriyasini (1956) tugatgan. Ijodiy faoliyatini O’zbek davlat musiqali teatrida xonanda va aktyor sifatida boshlagan (1929-34). Yangiyo’l teatri (1942-48), Muqimiy teatri (1948\u2014 53), Navoiy teatri (1956-61)da bosh dirijyor, O’zbek davlat simfonik orkestri (1953-56), Navoiy teatri (1941-42 va 1961 yildan), “O’zbekfilm”da (1955 \u2014 71) dirijyor. 1958 yildan Toshkent konservatoriyasi, 1970 yildan Toshkent teatr va rassomlik san’ati institutida dars bergan. Shamsiddinovning dirijyorlik texnikasi o’zining aniqligi, ravonligi, musiqiyligi, ijro uslubi har bir obrazni o’ziga xos musiqiy tavsif orqali ifodalanishi bilan ajralib turadi. Shamsiddinov “Tohir va Zuhra” (T.Jalilov) kabi musiqali dramalar, “Layli va Majnun” (R.Glier, T.Sodiqov), “Maysaraning ishi” (S.Yudakov), “Poltavalik Natalka” (N.Lisenko), “Karmen” (J.Vize), “Sug’d elining qoploni” (I.Akbarov) singari operalar, “momaqaldiroq so’qmoklaridan” (Q.Qorayev), “Francheska da Rimini” (P.Chaykovskiy), “Bolero” (M.Ravel) va boshqa baletlarni sahnaga tayyorlashda faol qatnashgan va dirijyorlik qilgan. U O’zbekiston kompozitorlari (M.Burbonov, Ik.Akbarov, S.Yudakov, S.Boboev va boshqalar) simfonik asarlarining birinchi ijrochisi va targ’ibotchisi sifatida ham tanilgan.<\/p>\n","protected":false},"excerpt":{"rendered":"
Shamsiddinov Fazliddin (1916.13.1, Buxoro \u2014 1980, Toshkent) \u2014 dirijyor, O’zbekiston (1965) va Qoraqalpog’iston (1973) xalq artisti. Moskva O’zbek opera studiyasini (1941), Toshkent konservatoriyasini (1956) tugatgan. Ijodiy faoliyatini O’zbek davlat musiqali … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[211],"tags":[],"class_list":["post-105445","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sh-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/105445","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=105445"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/105445\/revisions"}],"predecessor-version":[{"id":105449,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/105445\/revisions\/105449"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=105445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=105445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=105445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}