{"id":106644,"date":"2023-09-16T19:56:08","date_gmt":"2023-09-16T16:56:08","guid":{"rendered":"https:\/\/milliycha.uz\/?p=106644"},"modified":"2023-09-16T19:56:12","modified_gmt":"2023-09-16T16:56:12","slug":"remark-remargue-remark-erix-mariya","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/remark-remargue-remark-erix-mariya\/","title":{"rendered":"Remark (Remargue, Remark) Erix Mariya"},"content":{"rendered":"\n

Remark (Remargue, Remark) Erix Mariya (1898.22.6, Osnabryuk \u2014 1970.25.9, Lokarno, Shveytsariya) \u2014 nemis yozuvchisi. G’arbda “yo’qotilgan avlod” deb atalgan adabiyotning yirik vakili. 1-jahon urushi qatnashchisi. Asarlarida urush dahshatlari, 2-jahon urushi yillari va undan keyingi davrdagi hayotni, fashizmning mudhish qiyofasi, ma’naviy ezilgan, o’zini jamiyatdan begonalashgan deb his qiluvchi kishilar qismati aks etgan: “G’arbiy frontda hech qanday o’zgarish yo’q” (1929) asari uchun gitlerchilar Remarkni nemis fuqaroligidan maxrum etgan. 1932 yildan muhojirlikda. Urushda ma’naviy shikastlangan avlodning ayanchli hayoti “qaytish” (1931) romanining asosiy mazmunini tashkil etadi. “Uch do\u2019st” (1938), “Zafar darvozasi” (1946), “hayot alangasi” (1952), “hayotmamot pallasi” (1954), “qora haykal” (1956), “osmon hech qanday seviklini bilmaydi” (1961), “Lissabondagi tun” (1963), “Jannatdagi soyalar” (1971) va boshqa asarlar muallifi. “G’arbiy frontda hech qanday o’zgarish yo’q” va boshqa asarlaridan parchalar o’zbek tiliga tarjima qilingan.<\/p>\n","protected":false},"excerpt":{"rendered":"

Remark (Remargue, Remark) Erix Mariya (1898.22.6, Osnabryuk \u2014 1970.25.9, Lokarno, Shveytsariya) \u2014 nemis yozuvchisi. G’arbda “yo’qotilgan avlod” deb atalgan adabiyotning yirik vakili. 1-jahon urushi qatnashchisi. Asarlarida urush dahshatlari, 2-jahon urushi … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[214],"tags":[],"class_list":["post-106644","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-r-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/106644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=106644"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/106644\/revisions"}],"predecessor-version":[{"id":106646,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/106644\/revisions\/106646"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=106644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=106644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=106644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}