{"id":111250,"date":"2023-10-13T13:12:15","date_gmt":"2023-10-13T10:12:15","guid":{"rendered":"https:\/\/milliycha.uz\/?p=111250"},"modified":"2023-10-13T13:12:19","modified_gmt":"2023-10-13T10:12:19","slug":"orif-garmon-toshmatov","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/orif-garmon-toshmatov\/","title":{"rendered":"Orif Garmon Toshmatov"},"content":{"rendered":"\n

Orif Garmon Toshmatov (1891.4.3 \u2014Andijon\u20141944.3.5) \u2014 aktyor, sozanda (garmonchi). O’zbekiston xalq artisti (1941). Dutor chalishni otasi Toshmat hofizdan, garmon chalishni amakisi Hoji Garmondan o’rgangan. 1905 yildan sayyor truppalarda qiziqchilik va sozandalik qilgan. 1918 yil Andijonda T. Jalilov boshchiligidagi “Sanoiy Nafisa” to’garagiga a’zo bo’lgan. Turkiston o’lka Sayyor siyosiy truppasi (1918-19), Andijon teatri (1920\u2014 25), Asaka kolxoz\u2014sovxoz teatri (1926-33)da aktyor, Andijonda musika ansambli rahbari (1933-44), Orif Garmon o’zbek professional teatriga xalq teatrining sahna va musiqa an’analarini singdirilishiga hissa qo’shgan. U garmonda “Abdurahmonbegi”, “Munojot”, “Orom”, “Andijon polkasi”, “tanavor”, “Dilxiroj” va b. o’zbek kuylarini, “Nasrulloyi”, “Baet”, “Buzruk”, “Navo” singari maqom yo’llarini nafislik bilan ijro etgan. U bir kancha kuylar muallifi.<\/p>\n","protected":false},"excerpt":{"rendered":"

Orif Garmon Toshmatov (1891.4.3 \u2014Andijon\u20141944.3.5) \u2014 aktyor, sozanda (garmonchi). O’zbekiston xalq artisti (1941). Dutor chalishni otasi Toshmat hofizdan, garmon chalishni amakisi Hoji Garmondan o’rgangan. 1905 yildan sayyor truppalarda qiziqchilik va … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[225],"tags":[],"class_list":["post-111250","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-o-harfi-2","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/111250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=111250"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/111250\/revisions"}],"predecessor-version":[{"id":111256,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/111250\/revisions\/111256"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=111250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=111250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=111250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}