{"id":11304,"date":"2021-11-24T15:42:17","date_gmt":"2021-11-24T12:42:17","guid":{"rendered":"https:\/\/milliycha.uz\/?p=11304"},"modified":"2025-10-28T12:32:54","modified_gmt":"2025-10-28T09:32:54","slug":"atonal-musiqa-haqida-nimani-bilasiz","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/atonal-musiqa-haqida-nimani-bilasiz\/","title":{"rendered":"ATONAL MUSIQA haqida nimani bilasiz?"},"content":{"rendered":"\n<p>ATONAL MUSIQA (Yunoncha a \u2013 inkor qo&#8217;shimchasi va tonal \u2014 ton) \u2014 20 &#8211; asr boshlaridan Yevropa mamlakatlarida odat tusiga kirgan tonallik, lad, garmoniya va boshqalarning o&#8217;ta erkin o&#8217;zgaruvchanligiga asoslanib yaratiladigan musiqa. Atonal musiqa konsonans va dissonans kontrasti, modulyasiyalarni inkor etadi. Ayrim Atonal musiqa parchalari so&#8217;nggi romantiklar va impressionistlar ijodida uchraydi. 20-asr boshida Avstriya kompozitori A. Shyonberg, uning shogirdlari A. Vebern, A. Berg va boshqa ijodida an&#8217;anaviy yevropacha ladtonallik asosidan to&#8217;la yoki qisman voz kechish natijasida Atonal musiqa yoki R. Kolish (1896 \u2014 1978) tomonidan kiritilgan atonallik tushunchasi yuzaga kelgan. Atonal musiqani ma&#8217;lum darajada dodekafoniya texnikasi tartiblashtirgan. Undan O&#8217;zbekiston kompozitorlari kino, teleko&#8217;rsatuv, teatr musiqasi va boshqalarda foydalanmoqdalar.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ATONAL MUSIQA (Yunoncha a \u2013 inkor qo&#8217;shimchasi va tonal \u2014 ton) \u2014 20 &#8211; asr boshlaridan Yevropa mamlakatlarida odat tusiga kirgan tonallik, lad, garmoniya va boshqalarning o&#8217;ta erkin o&#8217;zgaruvchanligiga asoslanib &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/atonal-musiqa-haqida-nimani-bilasiz\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":9243,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[],"class_list":["post-11304","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/11304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=11304"}],"version-history":[{"count":2,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/11304\/revisions"}],"predecessor-version":[{"id":162276,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/11304\/revisions\/162276"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/9243"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=11304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=11304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=11304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}