{"id":113523,"date":"2024-01-13T11:49:14","date_gmt":"2024-01-13T08:49:14","guid":{"rendered":"https:\/\/milliycha.uz\/?p=113523"},"modified":"2024-01-13T11:49:15","modified_gmt":"2024-01-13T08:49:15","slug":"qodirov-ayub","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/qodirov-ayub\/","title":{"rendered":"Qodirov Ayub"},"content":{"rendered":"\n<p>Qodirov Ayub (1918.10.5, Buxoro \u2014 1981, Toshkent) \u2014 sozanda (nay), O&#8217;zbekiston xalq artisti (1970). Toshkent konservatoriyasini tugatgan (1956). O&#8217;zbek davlat filarmoniyasida xalq cholg&#8217;u orkestri (1936-38, 1950-56, 1968- 74), Tamaraxonim ansambli (1938-46) D; sozanda, &#8220;shodlik&#8221; ansamblida musiqa rahbari (1956-57, 1966-68), Toshkent musiqa bilim yurtida pedagog (1978 yildan). Ijro uslubi mukammal texnikasi, asar mazmunini chuqur his qilishi, nay ifoda vositalaridan keng foydalanishi, ijro erkinligi bilan ajralib turadi. Repertuaridan &#8220;Farg&#8217;onacha&#8221;, &#8220;Subhidam&#8221;, &#8220;Cho&#8217;li Iroq&#8221;, &#8220;Chaman Yalla&#8221;, &#8220;Segoh&#8221;, &#8220;qaytarma&#8221;, &#8220;tong oromi&#8221;, &#8220;Chorgoh&#8221; kabi xalq va mumtoz kuylar o&#8217;rin olgan. Osiyo va Yevropa mamlakatlarida gastrolda bo&#8217;lgan. Ad.: Olimboeva K. va boshqalar, O&#8217;zbekiston xalqsozandalari, 2-kitob, T., 1974.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Qodirov Ayub (1918.10.5, Buxoro \u2014 1981, Toshkent) \u2014 sozanda (nay), O&#8217;zbekiston xalq artisti (1970). Toshkent konservatoriyasini tugatgan (1956). O&#8217;zbek davlat filarmoniyasida xalq cholg&#8217;u orkestri (1936-38, 1950-56, 1968- 74), Tamaraxonim ansambli &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/qodirov-ayub\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[191],"tags":[],"class_list":["post-113523","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-q-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/113523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=113523"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/113523\/revisions"}],"predecessor-version":[{"id":113527,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/113523\/revisions\/113527"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=113523"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=113523"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=113523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}