{"id":114111,"date":"2024-01-18T09:43:01","date_gmt":"2024-01-18T06:43:01","guid":{"rendered":"https:\/\/milliycha.uz\/?p=114111"},"modified":"2024-01-18T09:43:02","modified_gmt":"2024-01-18T06:43:02","slug":"naimov-hayot","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/naimov-hayot\/","title":{"rendered":"Naimov Hayot"},"content":{"rendered":"\n<p>Naimov Hayot (1912.21.3 \u2014 Buxoro \u2014 1995.14.2) \u2014 aktyor, rejissyor. O&#8217;zbekiston xalq artisti (1967). Buxoro musiqa bilim yurtini tugatgan (1930). Buxoro teatrida sozanda (1930-41), aktyor (1941\u2014 78), rejissyor yordamchisi (1978-86). Naimov ko\u2019proq hajviy aktyor sifatida tanilib, o&#8217;zbek xalq masxarabozlik teatrining ijrochilik an&#8217;analarini davom ettirgan. Rang-barang satirik va dramatik obrazlar yaratib, sahna san&#8217;atida uziga xos ijro uslubi bilan iz qoldirdi. Qozi (Hamza , &#8220;Maysaraning ishi&#8221;), Vali (U. Hojibekov, &#8220;Arshin mol olon&#8221;), Shmaga (A. Ostrovskiy, &#8220;aybsiz aybdorlar&#8221;), Mansur (Uyg&#8217;un, I. Sulton, &#8220;Alisher Navoiy&#8221;), Zargarov (A. Qahhor, &#8220;Og&#8217;riq tishlar&#8221;), Mirzakarimboy (Oybek, &#8220;Qutlug&#8217;qon&#8221;), Hoshim labbay (S. G&#8217;ani; F. Soliyev, &#8220;Tuy&#8221;), Toshbolta (H.G&#8217;ulom; M. Leviyev, &#8220;Toshbolta oshiq&#8221;), Mulla Bashir (S. Jamol, &#8220;Guli siyoh&#8221;) kabi obrazlar bilan elga tanildi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Naimov Hayot (1912.21.3 \u2014 Buxoro \u2014 1995.14.2) \u2014 aktyor, rejissyor. O&#8217;zbekiston xalq artisti (1967). Buxoro musiqa bilim yurtini tugatgan (1930). Buxoro teatrida sozanda (1930-41), aktyor (1941\u2014 78), rejissyor yordamchisi (1978-86). &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/naimov-hayot\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[221],"tags":[],"class_list":["post-114111","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-n-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=114111"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114111\/revisions"}],"predecessor-version":[{"id":114112,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114111\/revisions\/114112"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=114111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=114111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=114111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}