{"id":114311,"date":"2024-01-18T17:56:36","date_gmt":"2024-01-18T14:56:36","guid":{"rendered":"https:\/\/milliycha.uz\/?p=114311"},"modified":"2024-01-18T17:56:37","modified_gmt":"2024-01-18T14:56:37","slug":"nurmonov-ibrohim","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/nurmonov-ibrohim\/","title":{"rendered":"Nurmonov Ibrohim"},"content":{"rendered":"\n<p>Nurmonov Ibrohim (1936.29.12, Samarqand viloyati) \u2014 aktyor, rejissyor. O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1991). Toshkent davlat teatr va rassomlik san&#8217;ati institutining aktyorlik bo&#8217;limini (1965) va rejissyorlik bo&#8217;limini (1982) tugatgan. 1965 yildan Kattaqo&#8217;rgon teatrida ishlaydi (1982-85 yillar teatr direktori va badiiy rahbari, 2000 yildan bosh rejissyor). Komilov (I. Sulton, &#8220;Imon&#8221;), Sorrini (M. Lermontov, &#8220;Ispanlar&#8221;), Niyoz (I. Sulton, &#8220;noma&#8217;lum kishi&#8221;), Navoiy (I. Maxsumov, &#8220;Navoiy Astro- bodda&#8221;), Husniddin (Ya. Xudoyqulov, &#8220;Sud&#8221;) kabi obrazlar yaratdi. U o&#8217;z qahramonlarini romantik his-tuyg&#8217;ular va falsafiy mazmun bilan chuqur ochishga intiladi. Nurmonov sahnalashtirgan &#8220;Oltin devor&#8221; (E. Vohidov), &#8220;mehribonlar&#8221; (J. Asomiddinov), &#8220;Tobutdan tovush&#8221; (A. Qahhor), &#8220;Zebunniso&#8221; (Uyg&#8217;un), &#8220;Makr va muhabbat&#8221; (F. Shiller), &#8220;o&#8217;zing uchun o&#8217;l yetim&#8221; (O&#8217;. Umarbekov), &#8220;Armon&#8221; (Ya. Xudoyqulov) kabi spektakllarda ijrochilar ansamblining yaxlitligi ta&#8217;minlangan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nurmonov Ibrohim (1936.29.12, Samarqand viloyati) \u2014 aktyor, rejissyor. O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1991). Toshkent davlat teatr va rassomlik san&#8217;ati institutining aktyorlik bo&#8217;limini (1965) va rejissyorlik bo&#8217;limini (1982) tugatgan. 1965 &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/nurmonov-ibrohim\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[221],"tags":[],"class_list":["post-114311","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-n-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=114311"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114311\/revisions"}],"predecessor-version":[{"id":114312,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114311\/revisions\/114312"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=114311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=114311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=114311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}