{"id":114339,"date":"2024-01-19T09:12:11","date_gmt":"2024-01-19T06:12:11","guid":{"rendered":"https:\/\/milliycha.uz\/?p=114339"},"modified":"2024-01-19T09:12:15","modified_gmt":"2024-01-19T06:12:15","slug":"narimonov-hamidulla","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/narimonov-hamidulla\/","title":{"rendered":"Narimonov Hamidulla"},"content":{"rendered":"\n<p>Narimonov Hamidulla (1910.1.1 -Toshkent \u2014 1982.6.4) \u2014 O&#8217;zbekiston xalq artisti (1967). Moskva o&#8217;zbek drama studiyasini tugatgan (1930). Buxoro teatrida, 1933 yildan Hamza teatrida ishlagan. Narimonov ijodiga Nuroniy, tabarruk, xalq hurmatini kozongan kishilar obrazi yakin bulib, aktyor ularni yorkin, ha-yotiy va ishonarli yaratishga intilgan. Asosiy rollari: teatrda \u2014 ijro etgan Yaichnisa (N. Gogol, &#8220;Uylanish&#8221;), Madaminbek, Nurbobo (I. Sultan, &#8220;Burgutning parvo- zi&#8221;, &#8220;noma&#8217;lum kishi&#8221;), Xolmat (Hamza, &#8220;Boy ila xizmatchi&#8221;), Xotam, Cho&#8217;li bobo (Uyg&#8217;un, &#8220;Qotil&#8221;, &#8220;Ibn Sino&#8221;), Shokir (Oybek, &#8220;qutlug&#8217;qon&#8221;), Shayxulislom (M. Shayxzoda, &#8220;Mirzo Ulug&#8217;bek&#8221;); kinoda \u2014 Hasanali (&#8220;O\u2019tgan kunlar&#8221;), Yokub ota (&#8220;uzgalar tashvishida&#8221;) va boshqalar.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Narimonov Hamidulla (1910.1.1 -Toshkent \u2014 1982.6.4) \u2014 O&#8217;zbekiston xalq artisti (1967). Moskva o&#8217;zbek drama studiyasini tugatgan (1930). Buxoro teatrida, 1933 yildan Hamza teatrida ishlagan. Narimonov ijodiga Nuroniy, tabarruk, xalq hurmatini &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/narimonov-hamidulla\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[221],"tags":[],"class_list":["post-114339","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-n-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114339","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=114339"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114339\/revisions"}],"predecessor-version":[{"id":114355,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114339\/revisions\/114355"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=114339"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=114339"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=114339"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}