{"id":114343,"date":"2024-01-19T09:12:17","date_gmt":"2024-01-19T06:12:17","guid":{"rendered":"https:\/\/milliycha.uz\/?p=114343"},"modified":"2024-01-19T09:12:21","modified_gmt":"2024-01-19T06:12:21","slug":"narziqulov-hoshim","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/narziqulov-hoshim\/","title":{"rendered":"Narziqulov Hoshim"},"content":{"rendered":"\n<p>Narziqulov Hoshim (1900 &#8211; Samarqand \u2014 1963.9.1) \u2014 aktyor, rejissyor. O&#8217;zbekiston xalq artisti (1939). Nasim Hoshimovning otasi. Ijodiy faoliyatini 1918 yilda Abdulla Badriy rahbarligidagi &#8220;Samarqand&#8221; musulmon truppasida boshlagan. 1927-30 yillar &#8220;Ko&#8217;k ko&#8217;ylak&#8221; teatrida, 1930 yildan Hamid Olimjon nomidagi Samarqand davlat o&#8217;zbek drama teatrida aktyor, truppa boshlig&#8217;i, rejissyor 1944-48 yillar Samarqand viloyat madaniyat boshqarmasining boshlig&#8217;i, 1948-57 yillar Madaniyat ishlari vazirligida teatr bo&#8217;yicha mas&#8217;ul xodim bo&#8217;lib ishlagan. Mirkomilboy (A. Badriy, &#8220;sho&#8217;ring qursin, Mirkomilboy!&#8221;), Muslim (F. Zafariy, &#8220;Halima&#8221;), Ibrohim (K. Yashin, M. Muhamedov, &#8220;Ichkarida&#8221;), Xusrav (Xurshid, &#8220;Farhod va Shirin&#8221;), Xon Boboxon, Qorabotir (S. Abdulla, &#8220;Toxir va Zuxra&#8221;), Sultonbek (U. Hojibekov, &#8220;Arshin mol olon&#8221;) singari obrazlari bilan o&#8217;zbek teatri san&#8217;atiga munosib hissa ko&#8217;shdi. &#8220;Arshin mol olon&#8221;, &#8220;Farhod va Shirin&#8221;, &#8220;po&#8217;rtana&#8221; (S. Abdulla), &#8220;G&#8217;unchalar&#8221; (Z. Fatxullin) kabi spektakllarni saxnalashtirgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Narziqulov Hoshim (1900 &#8211; Samarqand \u2014 1963.9.1) \u2014 aktyor, rejissyor. O&#8217;zbekiston xalq artisti (1939). Nasim Hoshimovning otasi. Ijodiy faoliyatini 1918 yilda Abdulla Badriy rahbarligidagi &#8220;Samarqand&#8221; musulmon truppasida boshlagan. 1927-30 yillar &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/narziqulov-hoshim\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[221],"tags":[],"class_list":["post-114343","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-n-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=114343"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114343\/revisions"}],"predecessor-version":[{"id":114359,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114343\/revisions\/114359"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=114343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=114343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=114343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}