Nog\u2019ora (Arabcha naqqora \u2014 zarb beruvchi) \u2014 urma musiqa cholg’u asbobi. Tuzilishi turlicha; tuvaksimon kosaxonasi, asosan, sopoldan yasaladi. Kiyik yoki echki (ayrim joylarda boshqa hayvonlar) terisi bilan qoplanadi. Qadimdan harbiy, jarchi hamda ommaviy marosim cholgu asbobi sifatida Sharq mamlakatlarida ma’lum bo’lgan. Hozirda o’zbek, tojik, uyg’ur, arman va boshqa xalq sozandalari tomonidan qo’llaniladi. O’zbekistonda uning do’l Nog\u2019ora (yo’g’on tovushli katta Nog\u2019ora, teri qoplanadigan qismining diametri 60 santimetr), rez Nog\u2019ora (ingichka tovushli kichik Nog\u2019ora, diametrik 20-30 santimetr), ko’s Nog\u2019ora (tovushi rez Nog\u2019oradan yo’g’onroq, diametri 30-40 santimetr) turlari keng tarqalgan. Rez va ko’s Nog\u2019ora ikkita cho’p bilan, do’l Nog\u2019ora nisbatan yo’g’onroq bitta cho’p bilan chalinadi. Xalq musiqa ijrochiligida ko’s va rez Nog\u2019oradan iborat qo’sh Nog\u2019ora qo’llaniladi. Qo’sh Nog\u2019ora tovushlari bir-biridan taxminan kvarta intervalida farq qiladi. Bu esa turli shakldagi bezaklarga boy usullarni ijro etish imkoniyatini yaratadi. Nog\u2019oraning Chindovul (mis yoki boshqa metalldan yasalgan hajmi katta Nog\u2019ora), tablak (kichkina Nog\u2019ora) turlari ham bo’lib, ular kam tarqalgan. Qo’sh Nog\u2019ora surnay va karnaylar bilan qo’shilib an’anaviy milliy ansamblni tashkil etadi. Bunday ansambllar ochiq joylarda o’tkaziladigan tomoshalar, tantanalar, to’y marosimlari jarchisi bo’lib, “Shodiyona”, “katta o’yin”, uyg’urlarda hayit kechalarida chalinadigan “nog’ora muqom” kabi cholg’u yo’llarini ijro etib kelmoqda.<\/p>\n","protected":false},"excerpt":{"rendered":"
Nog\u2019ora (Arabcha naqqora \u2014 zarb beruvchi) \u2014 urma musiqa cholg’u asbobi. Tuzilishi turlicha; tuvaksimon kosaxonasi, asosan, sopoldan yasaladi. Kiyik yoki echki (ayrim joylarda boshqa hayvonlar) terisi bilan qoplanadi. Qadimdan harbiy, … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[221],"tags":[],"class_list":["post-114433","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-n-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=114433"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114433\/revisions"}],"predecessor-version":[{"id":114443,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114433\/revisions\/114443"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=114433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=114433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=114433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}