Nodim Namangoniy (taxallusi; asl ism-sharifi Sulaymonxo’ja Ulug’xo’ja o’g’li) (1844 \u2014 Namangan -1910) \u2014 shoir. Saidqulibek madrasasida tahsil ko’rgan. Arab, fors tillarini o’rgangan. Qo’qon va Toshkentda bo’lgan, fan-texnika yangiliklari, rus madaniyati. Adabiy va madaniy doiralari bilan yaqindan tanishgan. Buxoro, Samarqand (1899), Turkiya, Misr, Arabiston (1902-03) ga sayohat qilgan. Navoiydan o’rgangan, g’azallariga taxmis, naziralar yozgan. Muqimiy, Muhyi, Furqat, Zavqiy, Muhayyir, Shavqiy kabi shoirlar bilan yaqin do’st bo’lib, ijodiy hamkorlik qilgan, ular she’rlariga muxammaslar bog’lagan. Mumtoz she’riyatning barcha janrlarida, turkiy va forsiyda ijod qilgan. G’azallarida inson go’zalligi, muhabbat va vafo, ayollar erkini kuylagan (“sog’indim men, sog’indingmi?\u00bb, “Maktubi muhabbat uslub” va boshqalar), ona-Vatan tabiati, uning go’zalligini tarannum etgan, xalq hayotini realistik aks ettirgan, ijtimoiy illatlarni fosh etgan, ma’rifatparvarlik g’oyalarini ilgari surgan (“Bahor ayyomi keldi”, “davr Javridin…”, “Bayoni dar safari Toshkand” va boshqalar). “Shikoyati paxta” she’rida qishloq mehnatkashlarining achinarli hayotini tasvirlagan. Hajviy asarlarida Maktanchoq, mutakabbir boylar, chor amaldorlari tanqid qilingan (“dar mazammati zamona”, “Dar shikoyati qozi” kabi). Yumoristik asarlar yozgan (“bezgak” va boshqalar). Nodimning she’rlari “Turkiston viloyatining gazeyash”da bosilgan. O’zi tuzgan “Bayozi Nodim”ning mukammal nusxasi O’zbekiston Fanlar Akademiyasu Sharqshunoslik institutida saqlanadi (inv. \u21164179). As: tanlangan she’rlar, T., 1964. Ad.: Karimov F. K., O’zbek adabiyoti tarixi, 3-kitob, T., 1987; Qayyumov P., Tazkirai Qayyumiy, 2-daftar, T., 1998. Begali Qosimov.<\/p>\n","protected":false},"excerpt":{"rendered":"
Nodim Namangoniy (taxallusi; asl ism-sharifi Sulaymonxo’ja Ulug’xo’ja o’g’li) (1844 \u2014 Namangan -1910) \u2014 shoir. Saidqulibek madrasasida tahsil ko’rgan. Arab, fors tillarini o’rgangan. Qo’qon va Toshkentda bo’lgan, fan-texnika yangiliklari, rus madaniyati. … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[221],"tags":[],"class_list":["post-114821","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-n-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114821","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=114821"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114821\/revisions"}],"predecessor-version":[{"id":114835,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/114821\/revisions\/114835"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=114821"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=114821"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=114821"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}