{"id":115240,"date":"2024-02-02T10:45:59","date_gmt":"2024-02-02T07:45:59","guid":{"rendered":"https:\/\/milliycha.uz\/?p=115240"},"modified":"2024-02-02T10:46:07","modified_gmt":"2024-02-02T07:46:07","slug":"neorealizm-2","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/neorealizm-2\/","title":{"rendered":"Neorealizm"},"content":{"rendered":"\n<p>Neorealizm (Neo&#8230; va realizm) \u2014 1) 20-asrning 40-yillari o&#8217;rtasidan 50-yillar o&#8217;rtasigacha Italiya kinosida mavjud bo&#8217;lgan oqim. Demokratik milliy san&#8217;at uchun kurash jarayonida tarkib topgan. Ijtimoiy adolat va oddiy insonning qadr-qimmati g&#8217;oyalarini himoya qildi. Hayotiy faktlar asosida qurilgan filmlar aksariyat nomutaxassis ijrochilar ishtirokida yaratildi. Neorealizmning badiiy manifesta R.Rosselinining &#8220;Rim \u2014 ochiq shahar&#8221;i (1945) filmidir. Ch. Dzavattini, L. Viskonti, V. De Sika, J. de Santis, P. Jermi kabilar Neorealizmning kino san&#8217;atidagi asosiy vakillaridir. Neorealizm Italiya kinematografiyasi va boshqa mamlakatlarning ilg&#8217;or kinosi rivojiga katta ta&#8217;sir ko&#8217;rsatdi; 2) adabiyotda Neorealizm yozuvchilari ijodi demokratik yo&#8217;nalishi, ozodlik ideallari va ijtimoiy adolatga insoniy ishonchi bilan ajralib turadi. Qarshilik ko&#8217;rsatish harakati, fashizmga qarshi kurash mavzui V. Pratolinining lirik esdaliklarida, R. Vigano, I. Kalvino romanlarida, J. Bassani va boshqalarning qissalarida haqqoniy aks ettirilgan. Neorealizm namoyandalari ijodida o&#8217;tkir ijtimoiy masalalarga bag&#8217;ishlangan asarlar ham bor: V. Pratolinining &#8220;kambag&#8217;al sevishganlar qissasi&#8221; (1947) xamda &#8220;metello&#8221; romani (1954); K. Levi ocherklari; E. de Filipponing &#8220;Neapol \u2014 millioner&#8221; komediyasi (1945); P. P. Pazolini she&#8217;riyati va boshqalar; 3) Italiya tasviriy san&#8217;ati (1940-50 yillar)dagi yo&#8217;nalish; Italiya kinosi, adabiyoti va teatridagi oqim va ayni bir vaqtdagi yo&#8217;nalishlardan nom olgan. 2-jahon urushi yillari Qarshilik ko&#8217;rsatish harakati natija- sida umum demokratik an&#8217;analarning tiklanishi, 19-20-asrlar Yevropa san&#8217;atidagi turli oqimlar (jumladan, romantizm va ekspressionizm)ning badiiy usullarini ijodiy qo&#8217;llashlar Neorealizmning shakllanishiga omil bo&#8217;ldi. Neorealist-rassomlar (R. Guttuzo, G. Mukki, A. Pissinato va boshqalar) voqelikni, uning barcha qarama-qarshiliklar keskinligini san&#8217;atda yangi ruhiy qadriyatlar va yangi qahramonlar \u2014 mehnat ahli, uning hayotiy qatiyati va ichki qudrati bilan haqqoniy aks ettirishga intildilar. Neorealizmga yaqin an&#8217;analar urushdan keyingi demokratik tasviriy san&#8217;atda va boshqa mamlakatlar (masalan, Frantsiyada B. Tasliskiy, A. Fujeron va boshqalar)da ham namoyon bo&#8217;ldi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Neorealizm (Neo&#8230; va realizm) \u2014 1) 20-asrning 40-yillari o&#8217;rtasidan 50-yillar o&#8217;rtasigacha Italiya kinosida mavjud bo&#8217;lgan oqim. Demokratik milliy san&#8217;at uchun kurash jarayonida tarkib topgan. Ijtimoiy adolat va oddiy insonning qadr-qimmati &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/neorealizm-2\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[221],"tags":[],"class_list":["post-115240","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-n-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/115240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=115240"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/115240\/revisions"}],"predecessor-version":[{"id":115264,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/115240\/revisions\/115264"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=115240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=115240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=115240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}