{"id":115855,"date":"2024-02-05T15:42:10","date_gmt":"2024-02-05T12:42:10","guid":{"rendered":"https:\/\/milliycha.uz\/?p=115855"},"modified":"2024-02-05T15:42:13","modified_gmt":"2024-02-05T12:42:13","slug":"iskandarov-goyibnazar-matmurodovich","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/iskandarov-goyibnazar-matmurodovich\/","title":{"rendered":"Iskandarov G’oyibnazar Matmurodovich"},"content":{"rendered":"\n

Iskandarov G’oyibnazar Matmurodovich (1934.20.11, Toshhovuz \u2014 1994.20.12, Toshkent) \u2014 aktyor, rejissyor. O’zbekistonda xizmat ko’rsatgan san’at arbobi (1981). Toshkent teatr va rassomlik san’ati institutining aktyorlik (1957) va rejissyorlik (1983) fakultetlarini tugatgan. Hamza teatrida aktyor (1954\u2014 61), O’zbekiston televideniesida aktyor va rejissyor (1961-77), Jizzax teatrining bosh rejissyor (1977-81), Jizzax filarmoniyasining direktori (1981 -87), O’zbekiston radiosida rejissyor (1988-94). Asosiy rollari: Mo’min Mirzo (“Alisher Navoiy”), Omon (“yangi yer”), Nizom (“Hurriyat”) va boshqalar. Rejissyorlik qilgan asarlari: “Jamila” (Ch. Aytmatov), “shishali yurak” (L. Ustinov), “bevafo yakan” (A. Jamol, G’. Iskandarov) kabi telespektakllar; “zo’raki tabib” (Moler), “Oygul bilan Baxtiyor” (H. Olimjon), “Kelinlar qo’zg’oloni” (S. Ahmad) va boshqa spektakllar.<\/p>\n","protected":false},"excerpt":{"rendered":"

Iskandarov G’oyibnazar Matmurodovich (1934.20.11, Toshhovuz \u2014 1994.20.12, Toshkent) \u2014 aktyor, rejissyor. O’zbekistonda xizmat ko’rsatgan san’at arbobi (1981). Toshkent teatr va rassomlik san’ati institutining aktyorlik (1957) va rejissyorlik (1983) fakultetlarini tugatgan. … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[199],"tags":[],"class_list":["post-115855","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/115855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=115855"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/115855\/revisions"}],"predecessor-version":[{"id":115867,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/115855\/revisions\/115867"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=115855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=115855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=115855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}