Muhiddinov Qo’rqmas (1946.20.3, Yangiyo’l sh.) \u2014 opera xonandasi (bas). O’zbekiston xalqartisti (1986). Moskva konservatoriyasini tugatgan (1975). 1975 y.dan1 Navoiy nomidagi opera va balet teatrida yakkaxon xonanda. O’zbekiston davlat konservatoriyasida kafedra mu- diri, dosent (2002 y.dan). M. o’zbek te- atrida Evropa mumtoz operalaridagi asosiy partiyalarni ijro etuvchi etakchi opera solisti. Chet el operalarida rus, ingliz va italyan tillarida asosiy par- tiyalarni mahorat b-n ijro etgan. Ga- liskiy (“Knyaz Igor”), Xon Boboxon (“Tohir va Zuhra”), General-gubernator (“Bo’ron”), Mefistofel (“Faust”), Bo- ris Godunov, Pimen (“Boris Godunov”), Don Bazilio (“Sevilya sartaroshi”), Ara-stu (“Sug’d elining qoploni”), Mon- terone (“Rigoletto”), Ramfis (“Aida”), Qirol Rene (“Iolanta”), Pyotr (“Pyotr I”), qozi (“Maysaraning ishi”), Muxam- mad Sayd (“Zebunniso”), Yunon elchisi (“Buyuk Temur”) va b. M. sahnada yaratgan asosiy obrazlaridan. Kontsert-ijro- chilik sohasida ham faol qatnashmoqda. Zamonamizning eng kuchli opera ijrochi-laridan bo’lib, keng diapazondagi ovozi, musiqada so’zlarning donadona ifoda etilishi, ijroda hishayajon, yuqori bas, yoqimli tembri b-n ajralib turadi. Ger- maniya, Finlyandiya, Chexoslovakiya, Rossiya va b. mamlakatlar sahnalarida o’zbek va jahon operasini namoyish etgan. Hamza nomidagi Uzbekiston Davlat mukofoti laureati (1981).<\/p>\n","protected":false},"excerpt":{"rendered":"
Muhiddinov Qo’rqmas (1946.20.3, Yangiyo’l sh.) \u2014 opera xonandasi (bas). O’zbekiston xalqartisti (1986). Moskva konservatoriyasini tugatgan (1975). 1975 y.dan1 Navoiy nomidagi opera va balet teatrida yakkaxon xonanda. O’zbekiston davlat konservatoriyasida kafedra … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-117728","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/117728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=117728"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/117728\/revisions"}],"predecessor-version":[{"id":117746,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/117728\/revisions\/117746"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=117728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=117728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=117728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}