{"id":117941,"date":"2024-05-09T08:14:04","date_gmt":"2024-05-09T05:14:04","guid":{"rendered":"https:\/\/milliycha.uz\/?p=117941"},"modified":"2024-05-09T08:14:08","modified_gmt":"2024-05-09T05:14:08","slug":"majolis-un-nafois","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/majolis-un-nafois\/","title":{"rendered":"&#8220;Majolis un-nafois&#8221;"},"content":{"rendered":"\n<p>&#8220;Majolis un-nafois&#8221; (&#8220;na- fislar majlislari&#8221;) \u2014 Alisher Navo- iy tazkirasi (1490-91; 1497-98 y.da qayta ishlangan). Turkiy tazkirachi- likning ilk namunasi. Asarda 15-a.da Xuroson va qo&#8217;shni mamlakatlarda yasha- gan shoir, yozuvchi va olimlar (jami 459 kishi) ijodiga oid qisqa ma&#8217;lumotlar berilgan. Ma&#8217;lumotlar yillar, Geo- grafik o&#8217;rinlar hamda sulolaviy tarti- blarga tayanib joylashtirilgan. 8 kiem \u2014 &#8220;Majlis&#8221;dan iborat. 1\u20142majlislar- da muallifning salaflari \u2014 tazkira yozilayotgan vaqtda hayot bo&#8217;lmagan shoir- lar, 3majlisda o&#8217;ziga zamondosh shoirlar haqida ma&#8217;lumotlar keltirilgan. 5-6 majlislarda Xuroson, Samarqand, xo- razm, qarshi, Badaxshon, Qazvin, Sova, Kirmon, Sheroz va b. joylardan chiqqan kalam axdlari haqida; 7majlisda esa te- muriylarga mansub shoirlar haqida fikr yuritilgan. 8 Majlis Sulton Husayn Boyqaroga bag&#8217;ishlangan. Tazkirada sho- irlarning bilim darajasi, axloqi, dunyoqarashi, mehnatga munosabati kabi xususiyatlari alohida ko&#8217;rsatilgan. Har bir shoirga berilgan tasnif uning ijo- didan namuna keltirish b-n asoslangan. Asarda badiiy ijod asosi va mohi- yatini belgilovchi nazariy masalalar yuzasidan ham fikr yuritilgan: mazmun va shakl haqida fikrlar ilgari surilgan, shoirlar ijodiga baho berishda asarlar- ning g&#8217;oyaviy mazmuni b-n birga badiiy mahoratiga ham e&#8217;tibor qaratilgan. Na- voiy o&#8217;z davri adabiy muhitining qizg&#8217;in manzarasini, adabiyotdagi poetik janr va turlar rangbarangligini ko&#8217;rsatib bergan. Asar qiziqarli va sodda, ravon uslubda yozilgan, fikrlar puxta va ixcham ifodalangan. Tazkira 15-a. o&#8217;zbek ilmiy na-srining guzal namunasi hisoblanadi. &#8220;M. un-n.&#8221;boshqa xalqlar tillariga ham tarjima qilingan va tazkirachilik ishiga samarali ta&#8217;sir ko&#8217;rsatgan. Chunon- chi, 16-a.da fors tiliga 3 marta (faxriy Hirotiy, 1521-22, Hirot; Qazviniy, 1522-23, Istanbul; Shoh Ali, 1598, Nishopur) tarjima qilingan. Shoir Sodiqiy &#8220;M. un-n.&#8221;dan il-homlanib, turkiyda &#8220;Tazkirai Majma ul-xavos&#8221;ni tuzgan. &#8220;M. un-n.&#8221;ning 15-a. oxiri \u2014 16- a. boshlarida kuchirilgan bir necha nusxa- si Vena, Parij, Boku, Sankt-Peterburg, Toshkent va b. joylarda saqlanmoqda. Ad.: Hayitmetov A., Alisher Navo- iyning adabiytanqidiy qarashlari, T., 1959; oy be k, Navoiyning &#8220;Majolis unnafois&#8221; asari haqida, 9-j., T., 1974; Mallaev N., O&#8217;zbek adabiyoti tarixi, 1ki- tob, 3nashri, T., 1976; Navoiy A., Asar- lar [ 15 jiddli], 12-j., T., 1966; Navoiy, Mukammal asarlar to&#8217;plami [20jildli], 13-j., T., 1997.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Majolis un-nafois&#8221; (&#8220;na- fislar majlislari&#8221;) \u2014 Alisher Navo- iy tazkirasi (1490-91; 1497-98 y.da qayta ishlangan). Turkiy tazkirachi- likning ilk namunasi. Asarda 15-a.da Xuroson va qo&#8217;shni mamlakatlarda yasha- gan shoir, yozuvchi &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/majolis-un-nafois\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-117941","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/117941","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=117941"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/117941\/revisions"}],"predecessor-version":[{"id":117945,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/117941\/revisions\/117945"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=117941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=117941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=117941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}