{"id":118383,"date":"2024-05-09T12:25:05","date_gmt":"2024-05-09T09:25:05","guid":{"rendered":"https:\/\/milliycha.uz\/?p=118383"},"modified":"2024-05-09T12:25:18","modified_gmt":"2024-05-09T09:25:18","slug":"puchchini-puccini-jakomo","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/puchchini-puccini-jakomo\/","title":{"rendered":"Puchchini (Puccini) Jakomo"},"content":{"rendered":"\n<p>Puchchini (Puccini) Jakomo (1858.22.12, Lukka, Florentsiya \u2014 1924.29.11, Bryussel, Milanda dafn etilgan) \u2014 kompozitor, italyan mumtoz operasining so&#8217;nggi vakili. Yuyoshidan cherkovda organchi bo&#8217;lgan, pianinochi sifatida kontsertlarga qatnashgan. Mi- lan konservatoriyasini tugatgan (1883). Jami 12 opera, shuningdek, simfonik, xor, kamer, diniy asarlar yaratgan. Du- nyoga mashhur &#8220;Manon Les-ko&#8221; (1892), &#8220;Bogema&#8221; (1895), &#8220;Toska&#8221; (1899), &#8220;Ba- terflyay xonim&#8221; (&#8220;Chiochiosan&#8221;, 1903) operalari lirik kuylanishi go&#8217;zalligi va ehtirosligi b-n tinglovchini zabt etadi. P.J. Verdi an&#8217;analarini ri- vojlantirib zamona-viy operada etakchi o&#8217;rin egallagan, o&#8217;ziga xos, o&#8217;zgarishlarga boy ariozo-rechitativli uslub yaratgan. P.ning estetik karashlari verizm (ita- Lyan san&#8217;atidagi realistik yo&#8217;nalish) ta&#8217;sirida shakllandi. U oddiy inson- lar hayotini o&#8217;tkir dramatik holatlarda, ehtiroslar to&#8217;qnashuvida haqqoniy ifo- dalashga intildi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Puchchini (Puccini) Jakomo (1858.22.12, Lukka, Florentsiya \u2014 1924.29.11, Bryussel, Milanda dafn etilgan) \u2014 kompozitor, italyan mumtoz operasining so&#8217;nggi vakili. Yuyoshidan cherkovda organchi bo&#8217;lgan, pianinochi sifatida kontsertlarga qatnashgan. Mi- lan konservatoriyasini &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/puchchini-puccini-jakomo\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[226],"tags":[],"class_list":["post-118383","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-p-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/118383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=118383"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/118383\/revisions"}],"predecessor-version":[{"id":118431,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/118383\/revisions\/118431"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=118383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=118383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=118383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}