Petrosova Elizaveta Artyomovna (1913. 14.8, hoz. Marg’ilon), Lizaxonim \u2014 raqqosa, baletmeyster. Qoraqalpoqsah- na raqsining asoschilaridan. O’zbekiston va Qoraqalpog’iston xalq artisti (1957). Qoraqalpoq ashula va rake ansamblining tashkilotchisi (1956). Tamaraxonim va Gavhar Rahimovaning singlisi, Yayra Abdullaevannj onasi. Usta Olim Komi- lov va opalaridan o’zbek raqsi va rit- mlarini o’rgangan. Ijodiy faoliyatini Andijon te-atrida raqqosa va aktri sal i kdan boshlagan (1929). Osiyo (“Arshin- mol-olon”), qum-rixon (“o’rtoqlar”), Qunduzxon (“niqob yirtildi”) kabi obrazlarni yaratgan. 1933-36 y.larda Samarqand teatrida, 1936-38 y.lar O’zbek davlat musiqali teatrida, 1938\u2014 56 y.lar Uzbek davlat filarmoniya- sida, urush yillari g. Rahimova rah- barligidagi o’zbek xotin-qizlar front ansamblida raqqosa va baletmeyster. 1956-65 va 1967-70 y.lar Berdaq no- midagi Qoraqalpoq Davlat Filarmoni- yasida baletmeyster va badiiy raxbar. 1985 y.dan 3. G’anieva nomidagi front kontsert brigadasi ansamblida. “Nozi- gim”, “gul bargi”, “pilla”, “Sadr”, “Ufori soxta” kabi raqslarni Mohiro- na ijro etgan. “Qashqar qizlari”, “Far-g’ona qizlari raqsi”, “Siynaxi- roj” singari raqslarni, “Qoraqalpoq to’yi” raqs-syuitasi, 70 dan ortiq yakka va ommaviy ijro etiladigan (“qiz uza- tish”, “baliqchilar”, “ilme Sulton”, “Cho’ponlar”, “oq oltin”, “qirq qiz” va b.) qoraqalpoq raqslarini va spektakllar (“Suymaganga suykanma”, “G’ariboshiq” va b.) dagi raqslarni sahnalashtirgan. Berdaq nomidagi Qoraqalpog’iston dav- lat mukofoti laureati (1969). Ac: Qoraqalpoq raqsi, T., 1976.<\/p>\n","protected":false},"excerpt":{"rendered":"
Petrosova Elizaveta Artyomovna (1913. 14.8, hoz. Marg’ilon), Lizaxonim \u2014 raqqosa, baletmeyster. Qoraqalpoqsah- na raqsining asoschilaridan. O’zbekiston va Qoraqalpog’iston xalq artisti (1957). Qoraqalpoq ashula va rake ansamblining tashkilotchisi (1956). Tamaraxonim va … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[226],"tags":[],"class_list":["post-119321","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-p-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/119321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=119321"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/119321\/revisions"}],"predecessor-version":[{"id":119360,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/119321\/revisions\/119360"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=119321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=119321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=119321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}