Peyzaj (Frans. paysage \u2014 mam- lakat, joy) -1) rassomlik (rangtasvir, grafika) va haykaltaroshlik (relef) da tabiatni aks ettiruvchi janr yoki shu janrda yaratilgan alohida asar (q. Mantra); 2)adabiyotda \u2014 badiiy so’z vo- sitasidagi tabiat tasviri, ifodasi. P. yozuvchining o’z asarida tanlagan ifo- da usuli va ijodiy uslubi b-n bog’liq holda turlicha vazifalarni bajari- shi mumkin. Tabiat manzarasi tasviri orqali yozuvchi o’zining yurtiga, Vatani- ga, ona tabiatga bo’lgan munosabatini ifodalaydi. Tabiat tasviri syujetning tarkibiy qismlaridan biri bo’lib, asar- ning g’oyaviy-estetik quvvatini oshirish, syujet rivojini tezlatish yoki sekin- latish, qahramonning ichki dunyosini ochish kabi vazifalarni ba-jaradi. Bu b-n P. badiiy asarda ishtirok etuvchi personajlarnn yanada to’la-qonli ifo- dalashga yordam beradi. Badiiy asarda P.dan 2 xil usulda foy-dalaniladi: qahramonning ruhiy holatini tabiat tasviri b-n parallel ravishda tasvir- lash va qaramaqarshi (kontrast) usulda tasvirlash. P. tasviri orqali muallif o’zining asosiy g’oyaviy niyatini ilga- ri surishi ham mumkin. Mas, Cho’lpon “Kuz” she’rida fasl ko’rinishini chi- zish orqali rus bosqinchiligining mudhish oqibatlarini ko’rsatmoqchi bo’ladi. Shuningdek, Oybekning “Na’- matak”, H. Olimjonning “O’zbekiston”, “O’rik gullaganda”, A. Oripovning “Sen bahorni sog’inma-dingmi?”she’rlari P. lirikasining eng yaxshi namunalari hisoblanadi.<\/p>\n","protected":false},"excerpt":{"rendered":"
Peyzaj (Frans. paysage \u2014 mam- lakat, joy) -1) rassomlik (rangtasvir, grafika) va haykaltaroshlik (relef) da tabiatni aks ettiruvchi janr yoki shu janrda yaratilgan alohida asar (q. Mantra); 2)adabiyotda \u2014 badiiy … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[226],"tags":[],"class_list":["post-119386","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-p-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/119386","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=119386"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/119386\/revisions"}],"predecessor-version":[{"id":119421,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/119386\/revisions\/119421"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=119386"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=119386"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=119386"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}