Muhamedov Muzaffar (1902.1.1 -Toshkent \u2014 1995.18.11) \u2014 aktyor, rej., teatr tashkilotchilaridan biri. Uzbeki- stonda xizmat ko’rsatgan san’at ar-bobi (1937), O’zbekiston xalq artista (1959). Moskva o’zbek drama Studi-yasini tugat- gan (1927). Ijodiy FA-oliyatini Hamza rahbarligidagi “Turk kuchi” trup- pasida aktyorlikdan boshlagan (1918). 1919-24 y.lar O’zbek davlat namuna dra- ma truppasida aktyor. Andijon teatri- da bosh rej. (1928-30), O’zbek davlat musiqali teatrida (1930-39), Navoiy teatrida (1939-43 va 1950 y.dan) rej., Mukimiy teatrida bosh rej. (1943-50). Mahmudxon (“zaharli hayot”), Muslim (“Halima”), Ulmas Botir (“Yorkinoy”), Mirzaboshi (“Arslon”) va b. uning sahnada yaratgan eng yaxshi rollaridir. M. rej.lik faoliyatining dastlabki dav- rlarida V. Meyerxold yo’lidan bordi, keyinchalik M. rejissurasi o’ziga xos rivoj topdi. U musiqali teatr rej.i si- fatida shakllandi va bu sohada o’ziga xos rej.lik maktabini yaratdi. “Halima” (F. Zafariy), “Gulsara” (K. Yashin, M. Muxa- medov; T. Jalilov), “Layli va Majnun” (Xurshid; R. Glier, T. Sodiqov), “Dav- Ron ota” (K. Yashin, S. Abdulla, Chustiy; T. Sodiqov, A. Kozlovskiy), “Tohir va Zuhra”, “Alpomish” (S. Abdulla; T. Ja- lilov), “kimga” (Roslaves, T. Jalilov), “G’unchalar” (3. Fatxullin; T. Jalilov), “Oftobxon” (K. Yashin; T. Jalilov) kabi spektakllarni saxnalashtirdi. “Ichkari- da” pesasini, “Gulsara”, “Dilorom”, S. Abdulla b-n “Maysaraning ishi” opera- larining librettosini yozgan.<\/p>\n","protected":false},"excerpt":{"rendered":"
Muhamedov Muzaffar (1902.1.1 -Toshkent \u2014 1995.18.11) \u2014 aktyor, rej., teatr tashkilotchilaridan biri. Uzbeki- stonda xizmat ko’rsatgan san’at ar-bobi (1937), O’zbekiston xalq artista (1959). Moskva o’zbek drama Studi-yasini tugat- gan (1927). … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-119559","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/119559","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=119559"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/119559\/revisions"}],"predecessor-version":[{"id":119578,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/119559\/revisions\/119578"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=119559"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=119559"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=119559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}