{"id":119593,"date":"2024-05-09T16:39:23","date_gmt":"2024-05-09T13:39:23","guid":{"rendered":"https:\/\/milliycha.uz\/?p=119593"},"modified":"2024-05-09T16:39:30","modified_gmt":"2024-05-09T13:39:30","slug":"muhammad-muqim","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/muhammad-muqim\/","title":{"rendered":"Muhammad muqim"},"content":{"rendered":"\n<p>Muhammad muqim (yoki Xoja Muqim, 17-a.) \u2014 musavvir. Ashtarxo- niylardan Abdul&#8217;azizxon (1645-80) va Subxonqulixon (1680-1702) kutubxona- sida ijod qilgan. M.M. kishilar tasvi- riga alohida ahamiyat beradi, tasvirlar nafis ishlanishi, qiyofalar ifodalili- gi, kompozisiyalar mutanosibligi, kam shaklliligi xamda shakllar yirikligi b-n diqqatga sazovor. Xoja Gado, Avaz Muhammad, Mulla Behzod kabi musav- virlar va Mirzo Barqiy, Mulla Mir Munshiy, Ibn Arabshoh kabi xattotlar b-n birga ishlab, Nizomiyning &#8220;Xamsa&#8221; (1669, Dublindagi Chester bitti kutub- xonasida), Firdavsiyning &#8220;Shohnoma&#8221; (1664, O&#8217;zbekiston FA Sharqshunoslik in-tida, inv. \u21163463) asarlarini badi- iy bezagan. Shuningdek, Firdavsiyning &#8220;Shohnoma&#8221;, &#8220;Narimonnoma&#8221;, &#8220;Bayonno- ma&#8221;, &#8220;Faramuznoma&#8221; qo&#8217;lyozmalar maj- muasiga (1670, o. Oleber maj-muasida) rasmlar ishlashda katnashgan. Muhammad Muqim. &#8220;Siyovushni o&#8217;tda sinash&#8221; (Firdavsiyning &#8220;Shohnoma&#8221; asariga ishlangan, 1664, O&#8217;zbekiston FA Sharqshunoslik instituti).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Muhammad muqim (yoki Xoja Muqim, 17-a.) \u2014 musavvir. Ashtarxo- niylardan Abdul&#8217;azizxon (1645-80) va Subxonqulixon (1680-1702) kutubxona- sida ijod qilgan. M.M. kishilar tasvi- riga alohida ahamiyat beradi, tasvirlar nafis ishlanishi, qiyofalar &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/muhammad-muqim\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-119593","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/119593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=119593"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/119593\/revisions"}],"predecessor-version":[{"id":119610,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/119593\/revisions\/119610"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=119593"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=119593"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=119593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}