Mirkarimova Qunduz (1928.8.3, Toshkent) \u2014 raqqosa, baletmeyster va pedagog. O’zbekiston xalqartisti (1966). Tamaraxonim nomidagi balet makta- bida ta’lim olgan (1937-41), katta teatr (Moskva) krshidagi xoreografiya bilim yurtini tugatgan (1951). Yangiy- ul musiqali drama va komediya teatrida (1943-46), Muqimiy teatr i da (1946-49), Navoiy teatrida (J 95 1 -53), O’zbekiston davlat Filarmoni-yasida (1953 \u2014 56) yakka raqqosa. “Bahor” ansamblida yakka raqqosa va pedagogrepetitor (1957-67), badiiy rahbar (1979-88), Toshkent dav- lat milliy rake va xoreografiya oliy maktabida pedagog (1964-79 va 1988 y.dan; 1996 y.dan prof.). M. ijrosidagi raqslar samimiy, nafis va jozibadorli- gi, harakatlari sho’x va jo’shqinligi b-n ajralib turadi. “G’ayratli qiz”, “katta o’yin”, “Xorazmcha raqs”, “Uyg’urcha rake”, “Rohat”, “jonon”, “nay navosi”, “Bahor tongi”, “Tanavor”, “zang o’yin”, “Po- Mircha raqs”, “Dildor”, “Gulrux”, “gul- noz” kabi mumtoz, xalq, zamonaviy va b. xalqlar raqsini mahorat b-n ijro etgan. Shuningdek, u maqom kuylariga tushgan raqslari b-n mashhur. Baletmeyster sifatida o’zbek raqs san’atining eng yaxshi an’analarini ri- vojlantirdi. U mumtoz, xalq va zamona- viy raqslarni sahnalashtirgan. “Xoti- ra”, “ona qalbi” kompozisiyalari, “Mu- stazod”, “zang”, “O’zbekiston qizlari”, “Navro’z”, “doira raqsi”, “Tanavor 2”, “Tanavor 3”, “Siynaxiroj”, “Surnay navosi”. “Ey sarvi ravon”, “O’zbek mi- niatyurasi”, “Xamsa”, “katta Buxorcha” kabi ommaviy, “Nasri Segoh”, “Savti mu- nojot”, “tog’qizi”, “Dilxiroj”, “o’rik gullaganda”, “Nurxon”, “O’yna, o’yna Gulnora” kabi yakka raqslari o’zbek xore- ografiyasining oltin fondidan o’rin ol- gan. Bir qancha chet davlatlar (Frantsiya, Yaponiya, Avstriya, Xindiston, Sudan, Liviya, Misr va b.)da gastrolda bo’lgan. “Do’stlik” (1997) ordeni va “Shuxrat” medali (1994) b-n mukofotlangan.<\/p>\n","protected":false},"excerpt":{"rendered":"
Mirkarimova Qunduz (1928.8.3, Toshkent) \u2014 raqqosa, baletmeyster va pedagog. O’zbekiston xalqartisti (1966). Tamaraxonim nomidagi balet makta- bida ta’lim olgan (1937-41), katta teatr (Moskva) krshidagi xoreografiya bilim yurtini tugatgan (1951). Yangiy- … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-119876","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/119876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=119876"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/119876\/revisions"}],"predecessor-version":[{"id":119880,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/119876\/revisions\/119880"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=119876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=119876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=119876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}