Musaddas (Arab. \u2014 oltilik) \u2014 har bandi 6 misradan tuzilgan musam- mat xillaridan biri. Aruzningturli vaznlarida, turli mavzularda yozila- Di, a-a-a-a-a-a, b-b-b-b-b-a, v-v-v-v-v-a… yoxud takror, Tarje misralari, baytlari bo’lsa \u2014 a-a-a-a-a-a, b-b-b-b-b-a, v-v-v- v-v-a; a-a-a-a-a-a, b-b-b-b-a-a, v-v-v-v-a-a tarzida qofiyalanib keladi. M.da ham musammatlarning boshqa xillaridagi kabi shoir yoxud ikki shoir taxallusi keltiriladi. Shu taxalluslarga qarab M. she’r mustaqil yoki tazmin usulida yara- tilganligi aniqlanib olinadi. Birinchi usulda shoir o’zining mieralaridan ibo- rat oltiliklar yaratadi. U she’riy devon, majmua va bayozlarda ba’zan “tab’i xud (o’zining) M.”izohi b-n berilgan. Ik- kinchi usulda esa shoir o’ziga yoqqan ustoz yoki zamondosh shoir yoxud o’z g’azalidan tanlab, shu g’azal baytlari oldidan unga to’rt-to’rt yangi mieralar qo’shib, g’azal baytlarini oltiliklarga aylantirgan- lar. 17-20-a.larda yashab ijod etgan sho- irlardan Mashrab, Nishotiy, Uvaysiy, Munis, Huvaydo, Amiriy, Ogahiy, Nodi- ra, Furqat, Avaz, Sidqiy Xondayliqiy, Tabibiy, Kamiy va b. M.lar yozishgan. O’zbek she’riyatidagi M.lar orasida, ayniqsa, Furqat qalamiga mansub “say- ding qo’yaber, Sayyod”, “etmadim”, “uch xarobotiy” M.lari davr ruxining ifo- dalanishi, ijtimoiy mazmunining chu- kurligi, poetik jihatlarining o’ziga xosligi b-n ajralib turadi.<\/p>\n","protected":false},"excerpt":{"rendered":"
Musaddas (Arab. \u2014 oltilik) \u2014 har bandi 6 misradan tuzilgan musam- mat xillaridan biri. Aruzningturli vaznlarida, turli mavzularda yozila- Di, a-a-a-a-a-a, b-b-b-b-b-a, v-v-v-v-v-a… yoxud takror, Tarje misralari, baytlari bo’lsa \u2014 … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-120278","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/120278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=120278"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/120278\/revisions"}],"predecessor-version":[{"id":120296,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/120278\/revisions\/120296"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=120278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=120278"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=120278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}