“Munojot” (Arab. \u2014 yalinish, yolvorish) \u2014 yirik shakldagi o’zbek mumtoz cholg’u kuylar turkumi. 3 asosiy qismdan tashkil topgan: “M.”, “Savti M.”va “Ufari M.”. Turkumli ijroda ba’zan “Savti M.”dan keyin “oromi- jon” nomli kuy ulanib, so’ngra “Ufari M.”yangraydi. Umumiy parda tuzili- shi hamda bosh kuy mavzui bo’yicha ular Dugoh va Chorgoh maqom yo’llariga mos keladi. “M.”turkumining tarkibiy qismlari bir-biridan asosan usul negi- zi b-n farklanadi (Saraxbor, kashqarcha, Ufar). Shu b-n birga o’zbek musiqa mero- sida “Mo’g’ulchai M.”, “Muxayyari M.\u00bb, “Qashqarchai M.”nomli cholg’u kuylar xam mavjud. O’tmishda “M.”Alloxdan najot, ma- dad tilab kilinadigan tungi yoki yashirin ibodat, uning ruhiy holati b-n bog’liq holda yuzaga kelgan bo’lsada, “M.”kuy- lari keng dunyoviy moxiyatga ega, lirik kayfiyatni aks ettiradigan jozibali, maftunkor, badiiy etuk asarlardir. Shu- ningdek, I. Ikromov 1940-y.larda na- voiy qalamiga mansub “kecha kelgumdur debon ul sarvi gulro’kelmadi” g’azalni “M.”kuyiga mohirona bog’lab, ashula yo’lini yaratgan. Uni A. Haydarov, B. Dovidova, B. Is-hoqova kabi atoqli xo- nandalar o’ziga xos ijro uslublari b-n keng ommaga tanitgan. “M.”ning “oro- mijon” kismi esa “qoshlari qalamlar” xalqso’zlari b-n aytilib kelinadi. “M.\u00bb kuylaridan o’zbek bastakorlari va kom- pozitorlari tomonidan har xil shakl va janrlarda unumli foydalanilgan (mas, F. Mamadaliev \u2014 ko’p qismli yangicha “M.”turkumi, D. Soatqulov \u2014 “Farg’onacha kvarteti”, M. Tojiev \u2014 3, 11simfoniyalari va b.). “M.”atamasi boshqa Sharq xalqlari (mas, uyg’ur, Eron, tatar va b.) musika me- rosida ham turli (diniy aytim, qo’shiq va b.) ma’nolarda uchraydi. Ravshan Yunusov.<\/p>\n","protected":false},"excerpt":{"rendered":"
“Munojot” (Arab. \u2014 yalinish, yolvorish) \u2014 yirik shakldagi o’zbek mumtoz cholg’u kuylar turkumi. 3 asosiy qismdan tashkil topgan: “M.”, “Savti M.”va “Ufari M.”. Turkumli ijroda ba’zan “Savti M.”dan keyin “oromi- … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-120760","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/120760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=120760"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/120760\/revisions"}],"predecessor-version":[{"id":120781,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/120760\/revisions\/120781"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=120760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=120760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=120760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}