Munshaot (Arab.\u2014insho etilgan- lar, ya’ni yozilganlar, bitilganlar) \u2014 Sharq she’riyatidagi janrlardan biri, muallifning nazmda yoki nasrda yozilgan maktublar to’plami. Bunday to’plamlar bir yoki bir necha muallif kalamiga man- sub xatlar yig’indisidan iborat bo’lgan. Maktublar shunchaki bitilgan xatlar bo’lmay, badiiyatning o’ziga xos turi \u2014 insho san’ati sifatida yuzaga kelgan, chuqur mazmunga va go’zal badiiy ifodaga ega bo’lgan. Ba’zi maktublar yuksak san’- at b-n o’ta jimjimador yozilgan. Asosan Arab va fors tillarida yaratilgan. O’zbek adabiyoti tarixida M.ning shakllanishi va rivojlanishi Alisher Navoiy ijodi b-n bog’liq. Navoiy “Munshaot” asari- ning muqaddimasida forscha maktublar shakllangan yuksak uslubga ega ekanini, turkiy xalqlarda bu uslubda hali hech ish qilinmaganini va o’zi M.ga birinchi bo’lib ko’l urganini qayd qilgan. Navoiy- ning ushbu asaridagi MAK-tublarning AK- sariyati Sulton Husayn Boyqaro va uning farzandlari bo’lmish shahzodalarga yozilgan. Ularda Navoiy maktub ega- lariga davlatni idora etish, hukumat ishlarini bajarishga doir o’zining qimmatli maslahat va takliflarini bayon etadi, adolat va hushyorlikka chor- laydi. M. ba’zan “ruq’aot”, “Maktubot” deb ham yuritilgan. M.larning talay- gina qo’lyozma nusxalari O’zbekiston FA Sharqshunoslik in-tining qo’lyozmalar fondida saqlanadi. Ularning ba’zila- ri, mas, “munshaoti Mirzo Sodiq” (inv. \u2116 302-1, 4423\u2014 II), “munshaoti Yusu- fiy” (inv \u2116 5046\u2014III) mualliflar- ning o’zlari tomonidan, ba’zilari esa kotiblar tomonidan tartibga keltirib ko’chirilgan.<\/p>\n","protected":false},"excerpt":{"rendered":"
Munshaot (Arab.\u2014insho etilgan- lar, ya’ni yozilganlar, bitilganlar) \u2014 Sharq she’riyatidagi janrlardan biri, muallifning nazmda yoki nasrda yozilgan maktublar to’plami. Bunday to’plamlar bir yoki bir necha muallif kalamiga man- sub xatlar … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-120768","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/120768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=120768"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/120768\/revisions"}],"predecessor-version":[{"id":120785,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/120768\/revisions\/120785"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=120768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=120768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=120768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}