{"id":120800,"date":"2024-05-11T20:34:03","date_gmt":"2024-05-11T17:34:03","guid":{"rendered":"https:\/\/milliycha.uz\/?p=120800"},"modified":"2024-05-11T20:34:09","modified_gmt":"2024-05-11T17:34:09","slug":"mubolaga-giperbola","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/mubolaga-giperbola\/","title":{"rendered":"Mubolag&#8217;a, giperbola"},"content":{"rendered":"\n<p>Mubolag&#8217;a, giperbola \u2014 obrazli ifoda: adabiy asarda voqelikda mavjud va yo&#8217;q, bo&#8217;lishi dargumon shaxs, jonli va jonsiz narsa, voqea, hodisalarning nisbiylik mezonlari asosida kat- talashtirib, burttirib, lofqofli aks ettirilishi. M.li aksning bosh alomatlari hayotiylikdan chekinish, favquloddaviylik, g&#8217;ayritabiiylikdir. M.li in&#8217;ikoslar o&#8217;xshatish, istiora, si- fatlash, jonlantirish, ta&#8217;riz, tazod va b. badiiylik vositalarining muayyan da- rajadagi xizmatlari tufayli yaratiladi. M. ko&#8217;proq og&#8217;zaki va yozma adabiyotlardagi ertak, afsona, rivoyat va b. janrlarda, romantik, yumoristik, satirik usullar- da yaratilgan asarlarda uchraydi. M.larga boy asarlar g&#8217;oyat katta qiziqish, zavq- shavq b-n o&#8217;qiladi. M. vositasida yaratil- gan ijobiy obrazlar o&#8217;quvchini maf-tun etib, uning mehr-muhabbatini qozonsa, salbiylari kitobxon qalbida cheksiz g&#8217;azabu nafrat hislarini uyg&#8217;otadi. Ada- biyot nazariyasida M.ning ko&#8217;p xillari bor. Asosiylari: tablig&#8217;, ig&#8217;roq, g&#8217;uluv. Tablig&#8217;da bo&#8217;rttirilgan belgi, xususi- yatlarning haqiqatga anchayin yaqinligi sezilib turadi. Mac: &#8220;Aningdek tesha- din sakrab ushoq tosh, Ki nozir bir Yi- gochdin qochurub bosh&#8221; (Navoiy, &#8220;Farhod va Shirin&#8221;). Ig&#8217;roqda bo&#8217;rttirilgan belgi, xususiyatlar, xatti-harakatlarni uquvchi xa-yolan tasavvur eta olsa ham, ularning hayotiyligiga ishongisi kel- maydi. Mac: &#8220;bola borib-borib shun- Day kelbatli, kelishgan, baquvvat yigit bo&#8217;lib etishibdiki, bir qo&#8217;lida ho&#8217;kizni ko&#8217;tararmish, kuringan daraxtni ildiz- pildizi b-n sug&#8217;urib olib, bir joydan ikkinchi joyga ko&#8217;chira olar emish. Uning oldiga tushadigan, u b-n olishib yo Bella- shib, unga teng keladigan na odam topi- libdi, na hayvon zoti&#8230;&#8221;(&#8220;Qayroqgosh bola&#8221; ertagidan). G&#8217;uluv \u2014 be-adad M. Unda bo&#8217;rttirilgan, lofqofli in&#8217;ikos- larning hayotda borligi u yoqda tursin, bo&#8217;lishi mumkinligiga ham mutlaqo ishonib bo&#8217;lmaydi. Mac, &#8220;Alpomish&#8221; do- stonidagi &#8220;bir kam to&#8217;qson&#8221; qalmoq al- plarining qiyofalari g&#8217;uluv vositasida tasvirlangan. Hammasining &#8220;kallasi kapaday, tanasi te-paday&#8221;. Birining &#8220;shomurti yoqalab har yoqqa ketgan, ichida sichqonlar bolalab yotgan, izidan tushgan pishak olti oyda etgan&#8221;. Ikkinchisining &#8220;odam tushmas (tushunmas)&#8230; aytgan ti- liga, besh yuz quloch arqon etmas beliga&#8221;. Uchinchisi &#8220;oh ursa, olamni buzar tovu- shi, to&#8217;qson molningterisidan kovushi&#8221; vah.k. Qalmoq alplarini yuqoridagiday nohayotiy oshiribtoshirib, lofqofli tasvirlashdan asosiy maqsad Alpomish va uning do&#8217;sti Qorajon qahramonligini, kuch-qudratini badiiy tasdiqlash, is- botlashdan iborat. Murod Ibrohimov.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mubolag&#8217;a, giperbola \u2014 obrazli ifoda: adabiy asarda voqelikda mavjud va yo&#8217;q, bo&#8217;lishi dargumon shaxs, jonli va jonsiz narsa, voqea, hodisalarning nisbiylik mezonlari asosida kat- talashtirib, burttirib, lofqofli aks ettirilishi. M.li &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/mubolaga-giperbola\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-120800","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/120800","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=120800"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/120800\/revisions"}],"predecessor-version":[{"id":120817,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/120800\/revisions\/120817"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=120800"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=120800"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=120800"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}