Moler (Moliere) (taxallusi; asl ism-sharifi Jan Batist Poklen) (1622.15.1 – Parij – 1673.17.2) -frantsuz dramaturgi, aktyori, teatr ar-bobi, sahna san’ati islohotchisi. Lotin tili, antic adabiyotni o’rgangan. 1645-48 y.larda sayyor teatr truppasida aktyorlik qilgan. Xalq teatr an’-analari b-n klassisizm yutukdarini umumlashtirib, ijtimoiy- maishiy komediya janrini yaratdi. 1658 y.dan M. o’z truppasi b-n Parij va sa- Roy teatrlarida pesalar qo’ydi. Shoh asari \u2014 “Tartyuf” (1664) komediyasida hurfikrlikning ashaddiy dushmani \u2014 xristian cherkovi kirdikorlarini fosh etdi. Don Juan haqidagi xalq afsona- larini qayta ishlab, “don Juan” (1665) realistik pesasini yaratdi. “Zo’raki nikoh” (1664), “Mizantrop”, “Amfi- trion”, “Jorj Danen”, “xasis” (1668), “Dvoryanlar orasidagi meshchan” (1670), “O’qimishli ayollar” (1672), “soxta be- mor” (1673) va b. komediyalar mualli- Fi. M. komediyalarida chuqur falsafiy va axloqiy masalalar qo’yilgan. Ularda yaxshi fazilatli kishilar tasvirlan- gan, lekin pesa qaxramonlari haddan tashqari talablar qo’yib, sog’lom fikr yuritishdan voz kechadilar, natijada bu, amalda, yaxshi fazilatning yo’q bo’lishiga olib keladi. M. ijodi jahon teatri rivojiga samarali ta’sir etgan. 19-a. boshida frantsuz akademiyasiga M.ning byusti qo’yilgan. Har yili 17 Fev.da \u2014 buyuk frantsuz komediografi 1673 y. 17 Fev.da so’nggi bor saxnaga chikib rol o’ynagan kunda Parijdagi mashhur “ko- medi Fransez” teatrida M. pesalari namoyish etiladi. M.ning ayrim asarla- ri o’zbek tiliga tarjima qilingan: “xa- sis” (1925), “Tartyuf” (1941), “Skapen nayranglari” (1950) va b.<\/p>\n","protected":false},"excerpt":{"rendered":"
Moler (Moliere) (taxallusi; asl ism-sharifi Jan Batist Poklen) (1622.15.1 – Parij – 1673.17.2) -frantsuz dramaturgi, aktyori, teatr ar-bobi, sahna san’ati islohotchisi. Lotin tili, antic adabiyotni o’rgangan. 1645-48 y.larda sayyor teatr … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-120865","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/120865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=120865"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/120865\/revisions"}],"predecessor-version":[{"id":120887,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/120865\/revisions\/120887"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=120865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=120865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=120865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}