Mendelson, Mendelson-bar- toldi (Mendelssohn \u2014 Bartholdy) Yakob Lyudvig Feliks (1809.3.3, Gamburg – 1847.4.11, Leypsig) \u2014 nemis kompozi- tori, dirijyor, organchi, musiqa jamoat arbobi. Musiqiy romantizmtnt yirik namoyandasi. Bolalik davridan virtuoz pianinochi sifatida Shuhrat qozongan. Uning ijodiy tafakkuri shakllanishiga M.lar oilasi b-n yaqindan tanish bo’lgan I. Gyote, G. Gegel, G. Geyne, aka-uka gum- boldtlar ta’sir o’tkazishgan. 1820-30 y.lari Italiya, Shveytsariya, Parij va Londonda yashab ijod qilgan. Dyussel- dorfdagi musiqa festivali direktori (1833-36), Leypsigdagi Gevandxauz or- kestrining bosh dirijyori (1836\u2014 45), Leypsig konser-vatoriyasining asoschi- si (1843). Deyarli barcha janrlarda ijod qilgan M. romantik simfoniya (5 ta sim- Foniya, 1824-42), programmali kontsert uver-tyurasi (“yozgi tundagi tush”, 1826 va b.) janrlariga asos solgan. Skripka va orkestr uchun (1844), 2 ta fortepi- ano va orkestr uchun (1831, 1837) kon- tsertlari, “so’zsiz qo’shikdar” (1832\u2014 45) fortepiano asarlari, “Pavel” (1836) va “Iliya” (1847) oratoriyalari mashhur. Romantizm va klassisizm an’analarini mujassam etgan M.ning ijobiy uslubi o’zining xalqchilligi, nozik did va sa- mimiyligi, folklor qo’shiklariga xos ohangdorligi, shakllarning mukammal- ligi, garmoniyaning ravshanligi, orkestr bo’yoklarining nafisligi b-n ajralib turadi. Hozirda M.ning “yozgi tundagi tush” asaridagi “to’y marshi” nikoh ma- rosimlarida albat asar sifatida ijro etilmoqda. 1874-77 y.lari (36 jilddan iborat) barcha asarlari Leypsigda to’la nashr etilgan.<\/p>\n","protected":false},"excerpt":{"rendered":"
Mendelson, Mendelson-bar- toldi (Mendelssohn \u2014 Bartholdy) Yakob Lyudvig Feliks (1809.3.3, Gamburg – 1847.4.11, Leypsig) \u2014 nemis kompozi- tori, dirijyor, organchi, musiqa jamoat arbobi. Musiqiy romantizmtnt yirik namoyandasi. Bolalik davridan virtuoz … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-121228","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/121228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=121228"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/121228\/revisions"}],"predecessor-version":[{"id":121240,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/121228\/revisions\/121240"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=121228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=121228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=121228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}