{"id":121670,"date":"2024-05-12T13:12:27","date_gmt":"2024-05-12T10:12:27","guid":{"rendered":"https:\/\/milliycha.uz\/?p=121670"},"modified":"2024-05-12T13:12:34","modified_gmt":"2024-05-12T10:12:34","slug":"mirzaev-rahmat","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/mirzaev-rahmat\/","title":{"rendered":"Mirzaev Rahmat"},"content":{"rendered":"\n<p>Mirzaev Rahmat (1878 &#8211; Buxoro -1963) \u2014 zardo&#8217;z, Buxoro zardo&#8217;zlik MAK- tabining yirik namoyandasi. Uzbekiston xalq rassomi (1957). Zardo&#8217;zlikni ot- asi va b. ustalardan o&#8217;rgangan. Yoshligi- dan Qori Hasan ustaxonasida ishlagan. 1928 y.dan turli artellar (keyinchalik &#8220;Buxoro zardo&#8217;zlik f-kasi&#8221;)da zardo&#8217;z. Zardo&#8217;zlik san&#8217;atini puxta egalla- gan M. zardo&#8217;zlik rivojiga katta hissa qo&#8217;shgan; an&#8217;anaviy naqshlarni mahorat b-n qo&#8217;llab amaliy san&#8217;at na-munalarini yaratdi, naqsh mujassamotlarini yangi xususiyatlar b-n boyitdi, zardo&#8217;zi cho- klarning nafisligi va jozibadorligi- ga erishdi. &#8220;Tinchlik kabutari&#8221; pesho- nabandi (1949-50), &#8220;Ismoil Somoniy maqbarasi&#8221; namoyoni, rangbarang mujas- samotli (&#8220;darham&#8221;, &#8220;zamindo&#8217;zi&#8221;, &#8220;toj&#8221;, &#8220;qubbado&#8217;zi&#8221; va b.) do&#8217;ppilarni mustaqil yaratgan, Navoiy teatri uchun sahna parda- si (1947, akad. Shchusev chizgisi), &#8220;paxta&#8221; (1954, M. Prutskaya) va b. zarduzi namo- yonlarni tayyorlashda faol ishtirok etdi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mirzaev Rahmat (1878 &#8211; Buxoro -1963) \u2014 zardo&#8217;z, Buxoro zardo&#8217;zlik MAK- tabining yirik namoyandasi. Uzbekiston xalq rassomi (1957). Zardo&#8217;zlikni ot- asi va b. ustalardan o&#8217;rgangan. Yoshligi- dan Qori Hasan ustaxonasida &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/mirzaev-rahmat\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-121670","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/121670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=121670"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/121670\/revisions"}],"predecessor-version":[{"id":121691,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/121670\/revisions\/121691"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=121670"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=121670"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=121670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}