{"id":121942,"date":"2024-05-12T14:21:01","date_gmt":"2024-05-12T11:21:01","guid":{"rendered":"https:\/\/milliycha.uz\/?p=121942"},"modified":"2024-05-12T14:21:09","modified_gmt":"2024-05-12T11:21:09","slug":"mimika","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/mimika\/","title":{"rendered":"Mimika"},"content":{"rendered":"\n<p>Mimika (Yun. \u2014 takdid) \u2014 yuz mu- shaklarining ifodali harakati. Inson- ning ma&#8217;yuslik, xursandlik, g&#8217;azab, xafa-lik kabi hissiyotlarini ifodalaydi. M. oddiy kishilarda tabiiy tarzda ro&#8217;y be- radi. Teatr san&#8217;atida esa aktyorlarning doimiy mashklari asosida yuzaga keladi. Yuzga beriladigan pardoz M. ifodaviy- ligini oshiradi. M. aktyorning nutqi b-n hamohang bo&#8217;lib, obraz mohiyatini, qahramonlarning o&#8217;zaro munosabat- larini ochishga xizmat qiladi. Puxta o&#8217;ylangan va texnik jihatdan mukammal M. sahna so&#8217;zi ahami-yatini oshiradi va uning tub ma&#8217;nosini chuqur anglashga yor- dam beradi. Ayniqsa, so&#8217;zsiz o&#8217;rinlarda, sukunatlarni to&#8217;ldirishda muhim ahamiyatga ega. Pantomimaga ixtisos- lashgan (frantsuz aktyori Marsel Marso kabi) aktyorlar faqat tana harakatlari va M.ga tayanishgan. O&#8217;zbek an&#8217;anaviy teatrida M. san&#8217;a- ti juda katta yutuklarga erishgan. Pro- fessional teatrda Hoji Siddiq is- Lomov, Mirshohid Miroqilov, Rahim Pirmuhamedov, Soib Xo&#8217;jaev, G&#8217;ani A&#8217;- zamov, Nabi Rahimov; televizion mini- atyuralar teatrida \u2014 Ergash Karimov, Hasan Yo&#8217;ldoshev, Sadir Ziyovuddinov, Ro- ziya Karimova; zamonaviy qiziqchilikda \u2014 Mirzabek Xolmedov, Obid Asomov, Vali Shamshiev va b. tanilgan. Muhsin Qodirov.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mimika (Yun. \u2014 takdid) \u2014 yuz mu- shaklarining ifodali harakati. Inson- ning ma&#8217;yuslik, xursandlik, g&#8217;azab, xafa-lik kabi hissiyotlarini ifodalaydi. M. oddiy kishilarda tabiiy tarzda ro&#8217;y be- radi. Teatr san&#8217;atida esa &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/mimika\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-121942","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/121942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=121942"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/121942\/revisions"}],"predecessor-version":[{"id":121958,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/121942\/revisions\/121958"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=121942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=121942"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=121942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}