{"id":122562,"date":"2024-05-12T16:37:23","date_gmt":"2024-05-12T13:37:23","guid":{"rendered":"https:\/\/milliycha.uz\/?p=122562"},"modified":"2024-05-12T16:37:34","modified_gmt":"2024-05-12T13:37:34","slug":"maqomot-2","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/maqomot-2\/","title":{"rendered":"Maqomot"},"content":{"rendered":"\n<p>Maqomot (Arab. \u2014 maqomlar) \u2014 1) O&#8217;rta asr musulmon Sharqi xalqlari musiqa ilmida pardalar, tovushqatorlar, kuy-ohanglar va jinsjamlar maj- mui. Ilmiy. atama sifatida ilk bor Qutbiddin ash-Sheroziy (13-14-a.lar) ning &#8220;Durrat uttoj li g&#8217;urrat uddeboj&#8221; (&#8220;Podshoq tojining gavhari&#8221;) qomusida, musiqa ilmiga bag&#8217;ishlangan bo&#8217;limda qo&#8217;llanilgan; 2) O&#8217;rta va yaqin Sharq xalqlari mumtoz musiqa san&#8217;atida mu- ayyan tovushqatorlar va usullar tizimiga asoslangan maqom, muqom, Mug&#8217;om, navba, dastgoh, taqsim (Taqasim), peshrav kabi turkum janrlariga nisbatan ishlatila &#8211; digan umumnazariy tushuncha; 3) O&#8217;rta asr Sharq adabiyotida nasriy turkum janri. Alhaririy, alHamadoniy kabi Arab adi- blarining &#8220;M.&#8221;lari jahon adabiyotida mashhur bo&#8217;lib, Evropa tillariga tarji- ma qilingan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Maqomot (Arab. \u2014 maqomlar) \u2014 1) O&#8217;rta asr musulmon Sharqi xalqlari musiqa ilmida pardalar, tovushqatorlar, kuy-ohanglar va jinsjamlar maj- mui. Ilmiy. atama sifatida ilk bor Qutbiddin ash-Sheroziy (13-14-a.lar) ning &#8220;Durrat &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/maqomot-2\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-122562","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/122562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=122562"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/122562\/revisions"}],"predecessor-version":[{"id":122582,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/122562\/revisions\/122582"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=122562"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=122562"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=122562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}