Karavajo (Caravaqqio, asli Me- rizida Karavajo) Mikelanjelo (1573. 28.9, Lombardiya -1610.18.7, Toskana) \u2014 italiyalik rassom. 17-a. Evropa rang- tasvirida realistik yo’nalish asoschisi. Milanda tahsil olgan (1584\u2014 88). Rim, Neapol, Malta o., Sisiliyada yashab ijod qilgan. K. ijodida manerizm va akademizm san’atiga xos bo’lgan ob- razlarni ideallashtirishga individu- al ta’sirchanlikni (“kasal kichkintoy Vakx”), mavzuni majoziy talqiniga na- Turani bevosita kuzatishni (“mevali savat ko’targan o’spirin” va b.) qarama- qarshi qo’yadi. Antik mavzulardagi asar- lari (“Vakx”, 1592-93, Karavajo. “Lyutna chalayotgan qiz” (1595). Ufits- TSI galereyasi)da bayramlar, beg’ubor sho’xlik ruhi aks etgan. Rangtasvirning yangi turlari \u2014 natyurmort (“savatda- gi mevalar”, 1596), maishiy (“folbin” va b.) janrlarning shakllanishiga katta hissa qo’shdi. Diniy mavzudagi asarlari (“Misrga yo’l olganlar xordig’i” va b.) ga ham chuqur hayotiy ruh baxsh eta olgan. Yirik polotnolari katta dramatik kuch- ga ega (“Avliyo Pyotrning mixlanishi”, 1601; “tobutga qo’yish”, 1604; “Avliyo Matvey azoblari”, 1606 \u2014 hammasi Rim- da; “Mariyaning o’limi”, 1606, Luvrda). K. ijodi rangtasvir usuli, nursoyaning nihoyatda keskinligi, harakatlarning soddaligi, boy koloriti, asarlaridagi extiros va dramatik ruhi b-n diqqatga sazovor. K. ijodi 17-a. Evropa rassomlik MAK- tablarida realizm yo’nalishi oqimlari (jumladan, karavajizm)ni shakllanishi- ga katta ta’sir ko’rsatdi.<\/p>\n","protected":false},"excerpt":{"rendered":"
Karavajo (Caravaqqio, asli Me- rizida Karavajo) Mikelanjelo (1573. 28.9, Lombardiya -1610.18.7, Toskana) \u2014 italiyalik rassom. 17-a. Evropa rang- tasvirida realistik yo’nalish asoschisi. Milanda tahsil olgan (1584\u2014 88). Rim, Neapol, Malta … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[201],"tags":[],"class_list":["post-123173","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-k-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/123173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=123173"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/123173\/revisions"}],"predecessor-version":[{"id":123190,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/123173\/revisions\/123190"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=123173"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=123173"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=123173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}