{"id":124150,"date":"2024-05-15T19:49:17","date_gmt":"2024-05-15T16:49:17","guid":{"rendered":"https:\/\/milliycha.uz\/?p=124150"},"modified":"2024-05-15T19:49:23","modified_gmt":"2024-05-15T16:49:23","slug":"konkret-musiqa","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/konkret-musiqa\/","title":{"rendered":"Konkret musiqa"},"content":{"rendered":"\n<p>Konkret musiqa &#8211; tabiiy va sun&#8217;iy tovush-sadolarni yozib olish hamda ularni qayta ishlov natijasi- da hosil bo&#8217;ladigan musiqa asarlari, musiqiy avangardizm oqimlaridan biri. Zamonaviy texnik vositalar (magni- tofon, miksher pulti, mini-disk yozuv moslamalari va b.) yordamida birlamchi mahsulot (ovoz)larni o&#8217;zgartirish, ara- lashtirish orqali yaratiladi. K.m.da, asosan, tabiatdagi turli tovushlar hamda hayotiy shovqinlardan, shuningdek, inson ovozi, cholg&#8217;u sadolaridan foyda- laniladi. K.m. 20-a.ning 2-yarmidan ri- voj topgan (ixtirochisi frantsuz akustik muhandisi P. Shef-Fer: &#8220;turniket&#8221;, &#8220;Temir yo&#8217;l etyudi&#8221; asarlari, 1948 va b.); targ&#8217;ibotchilari: kompozitorlar P. Bu- lez, P. Anri. O. Messian, Ya. Ksenakis, A. Jolive va b. Hozirda aksariyat K.m. namunalari kinofilm, multfilm, spektakllarga mo&#8217;ljallangan &#8220;musiqali fon&#8221; vazifasini bajaradi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Konkret musiqa &#8211; tabiiy va sun&#8217;iy tovush-sadolarni yozib olish hamda ularni qayta ishlov natijasi- da hosil bo&#8217;ladigan musiqa asarlari, musiqiy avangardizm oqimlaridan biri. Zamonaviy texnik vositalar (magni- tofon, miksher pulti, &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/konkret-musiqa\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[201],"tags":[],"class_list":["post-124150","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-k-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/124150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=124150"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/124150\/revisions"}],"predecessor-version":[{"id":124165,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/124150\/revisions\/124165"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=124150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=124150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=124150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}