Saidqosimov Po’lat (1931.8.10, Toshkent) \u2014 O’zbekiston xalq arti- sti (1979). Toshkent teatr va rassom- lik san’ati in-tini tugatgan (1954). 1954\u2014 57 y.lar H.Olimjon nomidagi Samarqand teatrida, 1957 y.dan Hamza (hoz. O’zbek milliy akademik drama) teatrida aktyor. Keng ko’lamli, turli echimdagi, psixologik murakkab rollar- ga moyillik, inson ma’naviy dunyosini chuqur taxlil qilish S. iste’dodiga xos bo’lib, obrazlari sodda va tabiiyligi, mukammal sahna nutqi, aktyorlik ifo- da vositalarining lo’ndaligi b-n AJ- ralib turadi. “Xolisxon”dagi Rustam S.ning sahnada yaratgan ilk obrazidir. Po’lat (O. Yoqubov, “yurak yonmog’i ke- rak”), Abdullatif (“Mirzo Ulug’bek”), Ilyos (Ch. Aytmatov, “sarvqomat dilba- Rim”), Edgar (u. Shekspir “Qirol Lir”), Karimjon (A.Qahhor, “Ayajonlarim”), Salimboyvachcha (Oybek, “qutlug’qon”), Avrangzeb (Uyg’un, “Zebunniso”), So- birov (I. Sulton, “Imon”), Sag’diev (O. Abdullin, “un uchinchi rais”), zarga- rov (A. Muxtor, “Saxro tor”), bobo (u. Azim, “bir kadam yo’l”) kabilar teatrda yaratgan eng yaxshi rollaridir. Kinoda Mahkam (“muhabbat mojarosi”), be- runiy (“Abu Rayhon Beruniy”), Zavqiy (“Olovli yo’llar”), G’afurov (“ilondan saqlan”), Ilyos ota (“tong otguncha”) va b.; telefilmda Otaqo’zi (“diyonat”), Mir- zakarimboy (“qutlug’qon”), Muhammad chatoq (“girdob”), Cherkashin (“Ichkuyov”), To’g’onbek (“Alisher Navoiy”), Abdulla- TIF (“Ulug’bek xazinasi”) kabi bir qancha rollarni ijro etgan. “El-yurt hurmati” ordeni b-n mukofotlangan (2001).<\/p>\n","protected":false},"excerpt":{"rendered":"
Saidqosimov Po’lat (1931.8.10, Toshkent) \u2014 O’zbekiston xalq arti- sti (1979). Toshkent teatr va rassom- lik san’ati in-tini tugatgan (1954). 1954\u2014 57 y.lar H.Olimjon nomidagi Samarqand teatrida, 1957 y.dan Hamza (hoz. … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[206],"tags":[],"class_list":["post-125103","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-s-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/125103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=125103"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/125103\/revisions"}],"predecessor-version":[{"id":125133,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/125103\/revisions\/125133"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=125103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=125103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=125103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}