{"id":125809,"date":"2024-05-19T14:39:21","date_gmt":"2024-05-19T11:39:21","guid":{"rendered":"https:\/\/milliycha.uz\/?p=125809"},"modified":"2024-05-19T14:39:24","modified_gmt":"2024-05-19T11:39:24","slug":"sarimsoqova-lutfixonim","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/sarimsoqova-lutfixonim\/","title":{"rendered":"Sarimsoqova Lutfixonim"},"content":{"rendered":"\n<p>Sarimsoqova Lutfixonim (1896.8.5, Farg&#8217;ona viloyati Rishton tumani \u2014 1991.14.1, Toshkent) \u2014 AK- Trisa, xonanda. O&#8217;zbekiston xalq arti- sti (1937). Ijodiy faoliyatini 1924 y. Qo&#8217;qon xotin-qizlar havaskorlik to&#8217;garagida boshlagan. Qo&#8217;qon (1926-28), Andijon (1928-31), Marg&#8217;ilon (1931 \u2014 34) teatrlarida, O&#8217;zbek davlat musi- ka teatrida (1934-39), Muqimiy tea- trida (1940-73) ishlagan. O&#8217;zbekiston davlat filarmoniyasi qoshidagi dutor- chi xotin-qizlar ansamblining tashki- lotchisi va badiiy rahbari (1939-40).mukammallik, o&#8217;tkir hajv va zakovat, samimiyat va qudrat, mazmundorlik va ta&#8217;sirchanlik kabi xislatlar S. ijodiy uslubining asosini tashkil kidali. S. ham lirik, ham fojiaviy, ham hajviy aktrisa bo&#8217;lib, xalq qo&#8217;shiklarining mohir ijrochisi, hozirjavob askiyachi, usta raqqosa va yaxshigina Dutorchi si- fatida ham tanilgan. Ko&#8217;qon teatrida sahnalashtirilgan &#8220;Arshinmololon&#8221; (U.Hojibekov) musiqali komediyasida dastlab Zebo, keyinroq Jahon xola, gul- chexra, &#8220;Layli va Majnun&#8221;, &#8220;Farhod va Shirin&#8221; (Xurshid) spektakllarida Lay- li va Shirin obrazlarini yaratgan. Tug&#8217;ma iste&#8217;dod, shijoat, o&#8217;z kasbiga muhabbat, harakatchanlik natijasida Adelma (K. Gossi, &#8220;Malikai Turandot&#8221;), Smeral- Dina (K.Goldoni, &#8220;ikki boyga bir ma- lay&#8221;), Tursun (V.Yan, Cho&#8217;lpon, &#8220;Hujum&#8221;) kabi obrazlarni mahorat b-n yaratdi. Aktrisa ijodida, asosan, 2 yo&#8217;nalish etakchilik qildi: biri liroepik tarz- dagi mushtipar onalar obrazi bo&#8217;lsa, ikkinchisi salbiy va satirik rollar- dir. Ikkala yo&#8217;nalishda ham S. chinakam mahorat cho&#8217;qqilarini egalladi. Oysara (K.Yashin, &#8220;Gulsara&#8221;), Ona (G&#8217;. Zafariy, &#8220;Halima&#8221;), Yosuman (Xurshid, &#8220;Farhod va Shirin&#8221;) rollari bunga misoddir. S, ayniksa Yosuman obrazini xalq san&#8217;- ati vositalari yordamida yuksak badiiy umumlashma darajasiga ko&#8217;tardi. Uni yovuzlik, razillik, makrhiyla timsoli sifatida gavdalantirdi. &#8220;Maysaraning ishi&#8221; (Hamza) komediyasidagi Maysara obrazida o&#8217;z imkoniyatlarini ayol erki va qadrqimmatini himoya qilishga qaratgan bo&#8217;lsa, &#8220;paranji sirlari&#8221;dagi mastu- ra satang obrazida, aksincha, aklidroki va kuchqudratini ayollarning huquq va tuyg&#8217;ularini poymol qilishga sarflay- Di. Xalcha xoda (&#8220;Kurbon Umarov&#8221;), Xay- ri xola (&#8220;Oftobxon&#8221;), Jamol opa (&#8220;ol- tin ko&#8217;l&#8221;), Risolat chevar (&#8220;Muqimiy&#8221;), Xadicha xola (&#8220;Farg&#8217;ona tong otguncha&#8221;) kabi mushtipar, munis onalarning rang- barang obrazlari b-n o&#8217;zbek teatri va aktyorlik san&#8217;ati rivojiga katta hissa qo&#8217;shgan. Ayniqsa, S. ijrosidagi kimyo (&#8220;Nurxon&#8221;) obrazi o&#8217;z jigarbandining erkin nafas olishi uchun har qanday qiyinchiliklarga bardoshli, oq ko&#8217;ngil onalar obrazining mumtoz namunasi bo&#8217;lib, ijrosi soddaligi, go&#8217;zalligi b-n ajralib turadi. S. o&#8217;zbek kino san&#8217;ati taraqqiyotiga ulkan hissa qo&#8217;shgan. Uning kino rolla- ri sahna faoliyatining davomi bo&#8217;lib, bu erda ham mehribon, munis, jafo- kash o&#8217;zbek onalari obrazini yaratgan. Ona (&#8220;Qasam&#8221;), Sharofat (&#8220;Opasingil Rahmonovalar&#8221;) va b. obrazlarda AK- Trisa o&#8217;ziga xos qiyofa kasb etdi. S. eng kichik rolni ham nihoyatda mohirlik b-n ijro etib, unga ulkan mavzu va hayotiy haqiqatni mujassamlashtirgan, mustaqil va yirik obraz yarata olish mumkinligini telba ayol (&#8220;farzandlar&#8221;) roli b-n isbotladi. Aktrisaning kino san&#8217;atidagi haqiqiy iste&#8217;dodi va Max- rrati Mexriniso (&#8220;maqallada duvduv ran&#8221;), Fotima opa (&#8220;Sen etim emassan&#8221;) obrazlarida to&#8217;la namoyon bo&#8217;ldi. Mexri- Niso obrazi orqali oddiy onalarning fe&#8217;latvori va ruhiyatini tabiiy bo&#8217;yoklar b-n ifodalagan bo&#8217;lsa, Fotima opa ob- razida 14 etim bolani o&#8217;z bag&#8217;riga olib tarbiyalagan o&#8217;zbek ayolining oq ko&#8217;ngil, kuyunchakligi, sahovati, odamiyligi va buyuk irodasini yuksak mahorat b-n etkaza oldi. S. xonanda sifatida &#8220;ku- Ling&#8221;, &#8220;O&#8217;zgancha&#8221;, &#8220;yoryor&#8221;, &#8220;Hakkalakam o&#8217;ynasam man&#8221;, &#8220;Jambilxon&#8221;, &#8220;Yorgi- nam&#8221;, &#8220;omon bo&#8217;laylik&#8221;, &#8220;Qilpillama&#8221; kabi o&#8217;zbek xotin-qizlarining xalq ashu- la, qo&#8217;shiq va laparlarini mahorat b-n ijro etgan. S. hayoti va ijodiga bag&#8217;ishlangan &#8220;Aya&#8221; (1976), &#8220;Lutfixon aya&#8221; hujjatli filmlari ishlangan. Vafotidan so&#8217;ng &#8220;Buyuk xizmatlari uchun&#8221; ordeni b-n mu- kofotlangan (2001). Mohina Ashirova.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sarimsoqova Lutfixonim (1896.8.5, Farg&#8217;ona viloyati Rishton tumani \u2014 1991.14.1, Toshkent) \u2014 AK- Trisa, xonanda. O&#8217;zbekiston xalq arti- sti (1937). Ijodiy faoliyatini 1924 y. Qo&#8217;qon xotin-qizlar havaskorlik to&#8217;garagida boshlagan. Qo&#8217;qon (1926-28), &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/sarimsoqova-lutfixonim\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[206],"tags":[],"class_list":["post-125809","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-s-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/125809","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=125809"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/125809\/revisions"}],"predecessor-version":[{"id":125832,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/125809\/revisions\/125832"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=125809"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=125809"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=125809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}