Soatqulov Dadaali (1917, Pop tumani \u2014 1985, Toshkent) \u2014 kompozi- tor, sozanda (nay), musiqa jamoat ar- bobi. O’zbekiston xalq artisti (1967). Toshkent konservatoriyasini tugatgan (1953). Otasidan nay chalishni o’rgangan. To’ychi Hofiz, Yunus va rizqi Rajabiy, I. Ikromovlardan o’zbek musiqa merosini o’zlashtirgan. CHuet \u2014 Pop tumanlararo k-z \u2014 s-z teatrida (1930\u2014 33), Qo’qon te- atrida sozanda, musiqa rahbari (1934\u2014 40). O’zbekiston radiosi xalq cholg’ulari orkestrida sozanda, dirijyor va bosh dirijyor (1940\u2014 1953). O’zbek davlat filarmoniyasida direktor va badiiy rahbar (1953-59, 1960-63, 1969-70), O’zbek radiosida badiiy rahbar (1959\u2014 60), bosh muharrir (1971-72), Muqimiy teatrida direktor (1963-69). Ijo- dida o’zbek musika merosi (Farg’ona yo’llari)ga tayangan. “Zarafshon qizi” (1960, yangi taxriri, 1963), “Guli siyoh” (1964), “Mahtumquli” (1966, B. Gienko b-n hamkorlikda), “Farg’ona tong otgun- cha” (1967), “Oshiklar” (1973), “Yusuf va Zulayho” (1979) kabi musiqali drama- lar, “paxtakorlar \u2014tinchlik uchun” Kan- tatasi (1953-54), nay va xalq, cholg’ulari orkestri uchun “Cho’li Iroq” poemasi (1950), “sayilga yurish” kabi syuita- lar, “Farg’onacha kvartet”, qo’shiqlar (“Mohigul”, “cho’pon qiz”) va romanslar (“Ayladi”, “Zebosidan”, “ko’k chashma- si”, “Navbahor”, “gul boqqa”, “Guli- stonim mening”) yaratgan, shuningdek, “Stadionda uchrashamiz” (g. Mushel b-n hamkorlikda) kabi kinofilm va radio- postanovkalarga musiqa yozgan.<\/p>\n","protected":false},"excerpt":{"rendered":"
Soatqulov Dadaali (1917, Pop tumani \u2014 1985, Toshkent) \u2014 kompozi- tor, sozanda (nay), musiqa jamoat ar- bobi. O’zbekiston xalq artisti (1967). Toshkent konservatoriyasini tugatgan (1953). Otasidan nay chalishni o’rgangan. To’ychi … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[206],"tags":[],"class_list":["post-127244","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-s-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/127244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=127244"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/127244\/revisions"}],"predecessor-version":[{"id":127266,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/127244\/revisions\/127266"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=127244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=127244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=127244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}