{"id":127290,"date":"2024-05-21T19:13:41","date_gmt":"2024-05-21T16:13:41","guid":{"rendered":"https:\/\/milliycha.uz\/?p=127290"},"modified":"2024-05-21T19:13:50","modified_gmt":"2024-05-21T16:13:50","slug":"sadi-maxsum","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/sadi-maxsum\/","title":{"rendered":"Sa&#8217;di Maxsum"},"content":{"rendered":"\n<p>Sa&#8217;di Maxsum (1825 Marg&#8217;ilon \u2014 1899) \u2014 o&#8217;zbek an&#8217;anaviy teatrining atoqli namoyandasi, mashhur qiziqchi. Zo- kir eshon rahbarligida Qo&#8217;qonda tashkil topgan qiziqchilar to&#8217;dasida ishlagan. &#8220;Mozor&#8221;, &#8220;Zarkokil&#8221;, &#8220;Qalandarlar&#8221;, &#8220;Attorlik&#8221;, &#8220;elpib o&#8217;tirish&#8221;, &#8220;sinch- vozlik&#8221;, &#8220;Uloqchilik&#8221; nomli Komedi &#8211; yalarning yaratilishida S.m.ning o&#8217;rni katta. U gavdalantirgan obrazlar ora- sida Attor (&#8220;attorlik&#8221;), Domla (&#8220;bola o&#8217;qitish&#8221;), chavandoz (&#8220;Uloqchilik&#8221;) alohida ajralib turgan. Sm. obraz yara- tishda faqat so&#8217;zdan emas, balki qo&#8217;l va tana harakatlari, mimikadan juda usta- lik b-n foydalangan. Ayniqsa, dehqon va hunarmandlarning qiyofalarini gavda- lantirishda katta yutuklarga erishdi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sa&#8217;di Maxsum (1825 Marg&#8217;ilon \u2014 1899) \u2014 o&#8217;zbek an&#8217;anaviy teatrining atoqli namoyandasi, mashhur qiziqchi. Zo- kir eshon rahbarligida Qo&#8217;qonda tashkil topgan qiziqchilar to&#8217;dasida ishlagan. &#8220;Mozor&#8221;, &#8220;Zarkokil&#8221;, &#8220;Qalandarlar&#8221;, &#8220;Attorlik&#8221;, &#8220;elpib o&#8217;tirish&#8221;, &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/sadi-maxsum\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[206],"tags":[],"class_list":["post-127290","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-s-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/127290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=127290"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/127290\/revisions"}],"predecessor-version":[{"id":127311,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/127290\/revisions\/127311"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=127290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=127290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=127290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}