Seyfert (Seifert) Yaroslav (1901.23.9, Praga yaqinidagi Jijkov sh. \u2014 1986.10.1) Chex shoiri. 1920 y. “To’qqizlar guruhi” nomli avangardizm kayfiyatidagi adabiy to’garak ochgan. “Po- etizm” uslubi S.ning dastlabki kitobla- rida seziladi (“ko’zlari yoshli shahar”, 1921; “Muhabbatning o’zi”, 1923; “Asal oyi”, 1925; “bulbul yomon kuylayapti”, 1926). Keyinchalik uning asarlari mav- zusi o’zgarib, proletar she’riyatidan che- kingan. 1929 y.da kompartiyadan chiqqan, manifest yozib, unda kompartiyaning tsenzura siyosatini qoralagan, siyosiy nashriyotlar b-n hamkorlikni to’xtatgan va sosialdemokratik partiyaga kirgan. Shundan so’ng siyosatdan tashqaridagi mavzular: umuminsoniy qadriyatlar, muhabbat, bolalik va b. haqida ijod qilgan. 1977 y. yana siyosiy jarayonlarga aralashib, tsenzurani yo’qotish, yozuvchi- larning e’tiqod uchun ta’qib qilinishi, shuningdek, ularni noqonuniy ravish- da qamokxonalarga tashlashni qoralab chiqqan. 1980-83 y.lar S.ning asarlari, asosan, ingliz tiliga tarjima qilinib, Angliya va AQShda tarqatilgan. “Bo- Jena Nemsova elpig’ichi” (1940), “loy- ning dubulg’asi” (1945) va b. to’plamlari Praga qo’zg’oloni, Chexoslovakiyaning FA- shistlar istilosidan ozod qilinishiga bag’ishlangan. Urushdan keyingi asarla- ri \u2014 “Mosart Pragada” (1946), “ona- jon” (1954), “bola va yulduzlar” (1956), “Qo’ng’iroklar yasash” (1967) va b. Nobel mukofoti laureati (1984).<\/p>\n","protected":false},"excerpt":{"rendered":"
Seyfert (Seifert) Yaroslav (1901.23.9, Praga yaqinidagi Jijkov sh. \u2014 1986.10.1) Chex shoiri. 1920 y. “To’qqizlar guruhi” nomli avangardizm kayfiyatidagi adabiy to’garak ochgan. “Po- etizm” uslubi S.ning dastlabki kitobla- rida seziladi … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[206],"tags":[],"class_list":["post-127377","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-s-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/127377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=127377"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/127377\/revisions"}],"predecessor-version":[{"id":127400,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/127377\/revisions\/127400"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=127377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=127377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=127377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}