{"id":127747,"date":"2024-05-22T19:27:53","date_gmt":"2024-05-22T16:27:53","guid":{"rendered":"https:\/\/milliycha.uz\/?p=127747"},"modified":"2024-05-22T19:27:57","modified_gmt":"2024-05-22T16:27:57","slug":"skerso","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/skerso\/","title":{"rendered":"Skerso"},"content":{"rendered":"\n<p>Skerso (ital. scherzo \u2014 hazil) \u2014 dastlab (16\u2014 17-a.larda) hazil matnlar- ga yozilgan vokal xamda o&#8217;ynoqi xarakter- li cholg&#8217;u pesalar nomi (mas, K. Mon- teverdening &#8220;Scherzi tnusicale&#8221;, 1607). Keyinchalik cholg&#8217;u syuita (I. S. Bax kla- vir partitalari) hamda sonatasimfonik turkumi (y. Gaydn, L. Betxoven asarla- ri)ning tarkibiy qismi. S.ga 3 hissali o&#8217;lchov, jadal sur&#8217;at, karamaqarshi (ko&#8217;pincha, o&#8217;ynoqi, hajviy yoki hazil) obrazlarning keskin almashinuvi xos. 19-20-a.larda S mustaqil asar sifa- tida (F. Shopen, R. Shuman, I. Brams, P. Chaykovskiylarning fortepiano S. lari, P. Dyukaning &#8220;sexrgar shogirdi&#8221;, I. Stravinskiyning &#8220;Fantastik S.&#8221;si kabi orkestr S.lari) ham keng rivoj topdi. A. Brukner, G. Maler, D. Shosta- Kovich simfoniyalari dramaturgiyasida S. qismlari alohida ahamiyatga ega. O&#8217;zbekiston kompozitorlari ijodida S ning barcha turlari uchraydi. Ik. AK- barov, g. Mushel, M. Tojiev, N. G&#8217;iyosov va b. simfoniya, kontsert, Sonata kabi tur- kumli asarlarida, A. Kozlovskiy, F. Na- zarov, B. Gienko va b. ayrim sozlar uchun mo&#8217;ljallangan S.lar yaratganlar.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Skerso (ital. scherzo \u2014 hazil) \u2014 dastlab (16\u2014 17-a.larda) hazil matnlar- ga yozilgan vokal xamda o&#8217;ynoqi xarakter- li cholg&#8217;u pesalar nomi (mas, K. Mon- teverdening &#8220;Scherzi tnusicale&#8221;, 1607). Keyinchalik cholg&#8217;u &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/skerso\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[206],"tags":[],"class_list":["post-127747","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-s-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/127747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=127747"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/127747\/revisions"}],"predecessor-version":[{"id":127756,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/127747\/revisions\/127756"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=127747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=127747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=127747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}