{"id":128012,"date":"2024-06-04T17:34:39","date_gmt":"2024-06-04T14:34:39","guid":{"rendered":"https:\/\/milliycha.uz\/?p=128012"},"modified":"2024-06-04T17:34:43","modified_gmt":"2024-06-04T14:34:43","slug":"konstebl-constable-jon","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/konstebl-constable-jon\/","title":{"rendered":"Konstebl (Constable) Jon"},"content":{"rendered":"\n<p>Konstebl (Constable) Jon (1776. 11.6, Ist-Bergxolt, Suffolk \u2014 1837. 31.3, London) \u2014 ingliz rassomi, Rea- listik manzara janrining yirik na- moyandasi. Londondagi Bada o&#8217;qigan (1800-05; 1829 y.dan ba a&#8217;zosi). K. 18- a. rangtasviriga xos bo&#8217;lgan shartlilik- dan voz kechib, Evropa manzara janrida birinchi bo&#8217;lib manzarani kuzatishga, asarni to&#8217;liq naturadan yaratishga erish- Di. Asarlarida dadil va erkin qo&#8217;yilgan bo&#8217;yoq surtmalari vositasida nurlar Ji- losi, nurhavo holati muhitini hosil qiddi, tabiatning yaxlitligi va moddiy- ligi hissini aks ettirdi (&#8220;Fletford- dagi tegirmon&#8221;, 1817; &#8220;pichanga ketayot- gan arava&#8221;, 1821; &#8220;sakrayotgan ot&#8221;, 1825; &#8220;G&#8217;allazor&#8221;, 1826; &#8220;Detxem vodiysi&#8221;, 1828 va b.). K. ijodi Evropa (jumladan, frantsuz va b.)da realistik manzara Jan- rining shakllanishiga, plener san&#8217;ati rivojiga kuchli ta&#8217;sir ko&#8217;rsatgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Konstebl (Constable) Jon (1776. 11.6, Ist-Bergxolt, Suffolk \u2014 1837. 31.3, London) \u2014 ingliz rassomi, Rea- listik manzara janrining yirik na- moyandasi. Londondagi Bada o&#8217;qigan (1800-05; 1829 y.dan ba a&#8217;zosi). K. &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/konstebl-constable-jon\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[201],"tags":[],"class_list":["post-128012","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-k-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/128012","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=128012"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/128012\/revisions"}],"predecessor-version":[{"id":128022,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/128012\/revisions\/128022"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=128012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=128012"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=128012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}