Karimova Roziya Zaripovna (1916.18.3, Qozon) \u2014 raqqosa, balet artisti, xoreograf, pedagog, olima. O’zbekiston xalk, artisti (1950). O’zbek davlat musiqali teatri qoshidagi te- ATR studiyasini tugatgan (1932), shu te- ATR truppasida, 1939-57 y.lar Uzbek davlat opera va balet teatri (hoz. Na- voiy teatri)da yakka raqqosa. 1949 y.dan O’zbek raqs va xoreografiya oliy bi- lim yurtida pedagog. 1964 y.dan Hamza nomidagi San’atshunoslik in-tida katga ilmiy xodim. Spektakllarda li- rik va qahramonlik xarakteridagi raqslarni ijro etish b-n birga Anorxon (“O’rtoqlar”), Asal (“Gulsara”), Osiyo (“Arshin mol olon”) kabi dramatik rol- lar ham ijro etgan. Balet partiyalarida o’zbek xalq raqsi harakatlarini pantomi- ma b-n uyg’unlashtirishga harakat qilgan. “Gulandom” (E. Brusilovskiy), “oq bi- lak” (S. Vasilenko), “Esmeralda” (Ch. Puni) baletlarida Gulandom, oq bilak, Ona; “Bo’ron” (M. Ashrafiy, S. Vasi- lenko), “Karmen” (J. Bize) operalarida Kumushoy, Fraskita balet partiyalarini ijro etgan. 1957-60 y.lar Muqimiy teatrida baletmeyster. “Ravshan va Zulxumor”, “Nurxon” kabi spektak- llarning raqslarini sahnalashtirgan. O’zbek raqsiga oid asarlar, uslubiy o’quv qo’llanmalari muallifi. Hamza nomida- gi O’zbekiston Davlat mukofoti laureate (1983). “El-yurt hurmati” ordeni b-n mu- kofotlangan (1998). As: tantsi ansamblya baxor, T., 1979; Uzbekskie tantsi v postanovkax Isaxara Akilova, T., 1987; urok uzbekskogo tantsa, T., 1987; Farg’ona raqsi, T., 1992; tana- vor, T., 1993; doyra zarblariga mashg’ulot, T., 1995.<\/p>\n","protected":false},"excerpt":{"rendered":"
Karimova Roziya Zaripovna (1916.18.3, Qozon) \u2014 raqqosa, balet artisti, xoreograf, pedagog, olima. O’zbekiston xalk, artisti (1950). O’zbek davlat musiqali teatri qoshidagi te- ATR studiyasini tugatgan (1932), shu te- ATR truppasida, … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[201],"tags":[],"class_list":["post-128182","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-k-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/128182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=128182"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/128182\/revisions"}],"predecessor-version":[{"id":128188,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/128182\/revisions\/128188"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=128182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=128182"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=128182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}