{"id":128212,"date":"2024-06-04T18:41:37","date_gmt":"2024-06-04T15:41:37","guid":{"rendered":"https:\/\/milliycha.uz\/?p=128212"},"modified":"2024-06-04T18:41:41","modified_gmt":"2024-06-04T15:41:41","slug":"karavajizm","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/karavajizm\/","title":{"rendered":"Karavajizm"},"content":{"rendered":"\n<p>Karavajizm \u2014 1) 17-a. Evropa rangtasviridagi realistik yo&#8217;nalishning ilk shakllanish davriga xos badiiy vo- sitalar tizimi. Bu tizimga (ayniqsa, italiyalik rassom Karavajo ijodida yaqqol namoyon bo&#8217;lgan) demokratik ba- diiy ideallar, uni haqqoniy va hayotiy aks ettirishga intilish, asarda jonli harakat holati, tasvirlanayotgan JIEMga qiziqish, nursoya qarama-qarshiligiga urg&#8217;u berish, mavzuga mahobatlilik baxsh etish kabi xususiyatlar xos. K. 17-a. EV- ropa rassomlari (Rembrandt, P. Rubens va b.) ijodida muhim rol o&#8217;ynadi; 2) 17-a. Evropa rangtasviridagi yo&#8217;nalish. Gollandiya, Flandriya, Frantsiya, Ispa- niya, Germaniya va b. dagi Karavajo izdo- shlari ijodida yaqqol ko&#8217;zga tashlanadi. Barcha markazlar (Rim, Neapol, Genuya va b.) rangtasvirida yorqin namoyon bo&#8217;ldi. Jumladan, rassomlar o. Jentileski, K. Saracheni, J. B. Karachcholo va b. ijodi- da o&#8217;ziga xos tarzda namoyon bo&#8217;lsa, ayrim rassomlar (B. Manfredi va b.) ijodida K. ning rasmiy usul va mavzulari yuzaki qo&#8217;llanilgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Karavajizm \u2014 1) 17-a. Evropa rangtasviridagi realistik yo&#8217;nalishning ilk shakllanish davriga xos badiiy vo- sitalar tizimi. Bu tizimga (ayniqsa, italiyalik rassom Karavajo ijodida yaqqol namoyon bo&#8217;lgan) demokratik ba- diiy ideallar, &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/karavajizm\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[201],"tags":[],"class_list":["post-128212","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-k-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/128212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=128212"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/128212\/revisions"}],"predecessor-version":[{"id":128219,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/128212\/revisions\/128219"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=128212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=128212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=128212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}