Komilov Erkin (1946.20.7, An- Dijon viloyati, kurfa qishlog’i) \u2014 O’zbekiston xalq artisti (1998). Tosh- kent teatr va rassomlik san’ati in-tini tugatgan (1968). 1966 y.dan Hamza teatri- da aktyor. Eng yaxshi rollari: Qilichbek (“Oltin devor”), Qobiljon (“saman- dar”), Ibn Sino (“Beruniy”), Karl Moor (“Qaroqchilar”), Jevakin (“Uylanish”), Glumov (“har to’kisda bir ayb”), Myas- nikov (“Qatag’on”), al-Zokir (“piri ko- inot”), Boyazit (“Sohibqiron Temur”), Ikrom (“Ufq”), Albeni (“Qirol Lir”), Abulfayzxon (“Abulfayzxon”), Ortiq (“Noyob nusxa”), Mannon Uyg’ur (“tomo- sha davom etadi”), Garrison (“etti FA- ryod”) va b. Yaratgan obrazlariga o’ziga xos rang berib, xarakterlarning ishonchli chiqishiga erishadi. Rol o’ynashda yaxshi- lik, tabiiylik, qahramonning hissiyot va kechinmalarini murakkab majmuini bera olish, aktyor siyratidagi jilovlan- gan kuch, ziyolilik, ichki madaniyatning jo’sh urishi K. ijodiga xos. K. kinoda ham bir qancha obrazlar yaratgan: Begimqul (“Yuzsiz”), Yo’ldosh (“Sevgi”), Musulmonqul (“o’tgan kun- lar”), Valixo’ja eshon (“amirning Xu- fiyona yurishi”), Xurram (“tilla bola”), Boyazid Jaloyir (“Amir Temur”), Qurbonov (“uchishga ruxsat eting”), do- vjenko kinostudiyasida “Yulduz shu’- lasi” filmida Ergash Sobirov va b. Video va telefilmlarda Aziz Qosimov (“Girdob”), Sultonmurod (“Alisher Navoiy”), Haydar (“Diyonat”), Rahim Saidov (“yoz yomg’iri”), Charlz Fori- ster (“qora karvon”), Bachana (“Abadiyat qonuni”), Jabbor (“qora ko’zlar”), may- or Solihov (“so’nggi o’q”), Haydar (kesak polvon) (“Shaytanat”), Shokir ota (“et- tinchi falakdan kelgan ovoz”) kabi rol- lar ijro etgan. “Otalar so’zi\u2014aqlning ko’zi” ko’rsatuvida 100 dan ortiq rol o’ynagan, 500 dan ortiq film (ayniqsa, multfilm, ertak-filmlar)ni dublyaj qilishda qatnashgan.<\/p>\n","protected":false},"excerpt":{"rendered":"
Komilov Erkin (1946.20.7, An- Dijon viloyati, kurfa qishlog’i) \u2014 O’zbekiston xalq artisti (1998). Tosh- kent teatr va rassomlik san’ati in-tini tugatgan (1968). 1966 y.dan Hamza teatri- da aktyor. Eng yaxshi … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[201],"tags":[],"class_list":["post-128867","post","type-post","status-publish","format-standard","hentry","category-k-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/128867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=128867"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/128867\/revisions"}],"predecessor-version":[{"id":128874,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/128867\/revisions\/128874"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=128867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=128867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=128867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}