{"id":129375,"date":"2024-06-08T20:01:26","date_gmt":"2024-06-08T17:01:26","guid":{"rendered":"https:\/\/milliycha.uz\/?p=129375"},"modified":"2024-06-08T20:01:30","modified_gmt":"2024-06-08T17:01:30","slug":"kontrapunkt","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/kontrapunkt\/","title":{"rendered":"Kontrapunkt"},"content":{"rendered":"\n<p>Kontrapunkt (lot. Punctum contra punctum \u2014 nuqtaga qarshi nuqta) \u2014 1) keng ma&#8217;noda \u2014 polifoniyaniit ay- Nan o&#8217;zi, ko&#8217;p ovozli musiqa tizimining asosiy turlaridan biri, ovozlarning o&#8217;zaro tengligiga asoslanadi; 2) tor ma&#8217;- noda \u2014 ikki va undan ortiq mustaqil va tugal kuylarning birdaniga yoki ketma-ket sadolanishi, ularning muay- Yan musiqiy-estetik qoidalarga binoan birikishi. K.ning oddiy va bir necha mu- rakkab turlari mavjud. Agar boshlang&#8217;ich kuylar birikmasi bir yoxud bir necha Hosila birikmalarini yuzaga kelishi uchun imkoniyat bersa \u2014 murakkab K., K. tarkibidagi kuylar o&#8217;rin almashuvchan bo&#8217;lsa \u2014 siljuvchan K., kuylar oxiridan oldiga qarata bayon etilsa \u2014 aylanuv- Chan K. deb ataladi; 3) polifoniyaning ilk ko&#8217;rinishlaridan biri. Unda turli ovozlarda davomiyligi jihatidan o&#8217;zaro teng bo&#8217;lgan tovushlar birdaniga yangrab, bir xil nota belgi (nuqta)lar b-n yozila- Di (nomi shundan); 4) mazkur sohalarni amaliy-ijodiy va nazariy jihatdan o&#8217;rganuvchi ta&#8217;limot va o&#8217;quv fani. Ad.: Taneev S, Podvijnoy kontra- punkt strogogo Pisma, M., 1959; Qurbo- Nov T., Polifoniya, T., 1991.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kontrapunkt (lot. Punctum contra punctum \u2014 nuqtaga qarshi nuqta) \u2014 1) keng ma&#8217;noda \u2014 polifoniyaniit ay- Nan o&#8217;zi, ko&#8217;p ovozli musiqa tizimining asosiy turlaridan biri, ovozlarning o&#8217;zaro tengligiga asoslanadi; 2) &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/kontrapunkt\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[201],"tags":[],"class_list":["post-129375","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-k-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/129375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=129375"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/129375\/revisions"}],"predecessor-version":[{"id":129381,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/129375\/revisions\/129381"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=129375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=129375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=129375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}