{"id":129753,"date":"2024-06-08T21:32:30","date_gmt":"2024-06-08T18:32:30","guid":{"rendered":"https:\/\/milliycha.uz\/?p=129753"},"modified":"2024-06-08T21:32:34","modified_gmt":"2024-06-08T18:32:34","slug":"klavesin-chembalo","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/klavesin-chembalo\/","title":{"rendered":"Klavesin, chembalo"},"content":{"rendered":"\n<p>Klavesin, chembalo [Frans. clavecin, ital. cembalo, lot. Clavicymbalum \u2014 klavishli tsimbala (changeimon musiqa cholg&#8217;usi) so&#8217;zidan]\u2014 klavishli tor- li-tirnama musiqa cholg&#8217;usi. 16-a.dan ma&#8217;lum. Hoz. fortepiano (Royal)ning o&#8217;tmishdoshi. Klavishlar bosilishi na- tijasida torlari pat yoki teridan ish- langan mizroblar yordamida tirnaladi, natijada jarangdor, ammo kuchsiz, Di- namikasp deyarli o&#8217;zgarmaydigan tovush hosil qilinadi. 17-18-a.lar davomi- da K.ning shakl qiyofasi hamda klavia- turalar soni o&#8217;zgargan, pay torlari sim torlar b-n almashtirilgan, diapazoni 5 oktavagacha kengaygan, vyordjinel, SPI- net, klavisiterium kabi turlari Vu- judga kelgan. Bunday K.lar uchun I. S. Bax, U. Byord, G. Gendel, D. Skarlatti, F. Ko&#8217;peren, J. Ramo kabi kompo-zitor- lar yuksak badiiy asarlar yaratishgan, Angliya, Frantsiya, Italiya K. maktablari yuzaga kelgan. 18-a. oxiridan K. o&#8217;rnini fortepiano egalladi. Lekin 20-a. boshi- dan K. hamda aynan uning uchun muljal- langan musiqaga yana qiziqish tug&#8217;ilib, u ba&#8217;zi cholg&#8217;u ansambl hamda orkestrlar (mas, &#8220;Turkiston&#8221; kamer orkestri) tar- kibiga kiritildi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Klavesin, chembalo [Frans. clavecin, ital. cembalo, lot. Clavicymbalum \u2014 klavishli tsimbala (changeimon musiqa cholg&#8217;usi) so&#8217;zidan]\u2014 klavishli tor- li-tirnama musiqa cholg&#8217;usi. 16-a.dan ma&#8217;lum. Hoz. fortepiano (Royal)ning o&#8217;tmishdoshi. Klavishlar bosilishi na- tijasida &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/klavesin-chembalo\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[201],"tags":[],"class_list":["post-129753","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-k-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/129753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=129753"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/129753\/revisions"}],"predecessor-version":[{"id":129762,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/129753\/revisions\/129762"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=129753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=129753"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=129753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}