{"id":129930,"date":"2024-06-09T10:59:31","date_gmt":"2024-06-09T07:59:31","guid":{"rendered":"https:\/\/milliycha.uz\/?p=129930"},"modified":"2024-06-09T10:59:41","modified_gmt":"2024-06-09T07:59:41","slug":"izmaylova-galiya-bayazitovna","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/izmaylova-galiya-bayazitovna\/","title":{"rendered":"Izmaylova Galiya Bayazitovna"},"content":{"rendered":"\n<p>Izmaylova Galiya Bayazitovna (1923.12.2, Tomsk) \u2014 balet artisti, ba- letmeyster. O&#8217;zbekiston xalq artisti (1951). Toshkent balet maktabini (1941), Toshkent teatr va rassomlik san&#8217;ati in-ti (1961)ni tugatgan. 1941 y.dan na- voiy teatrining etakchi balet yakkaxo- ni, 1977-85 y.lar bosh baletmeyster, 1985 y.dan baletmeyster. Semurg&#8217; (&#8220;Oq bilak&#8221;), Mariya, Zarema (&#8220;Bokchasa- Roy favvorasi&#8221;) kabi ilk rollaridayoq qahramonlar ichki du-nyosini ifodali harakatlar orqali ochib berishga intil- gan. Eng yaxshi rollari: Kitri (&#8220;don Kixot&#8221;), gulo-YIM (&#8220;qirq qiz&#8221;), Tao- Xoa (&#8220;Lola-qizg&#8217;aldoq&#8221;), Odetta-odi- liya (&#8220;Oqqush kuli&#8221;), Xuanita (&#8220;don Juan&#8221;), Gulnora (&#8220;Raqqosa&#8221;), Karmen (&#8220;Karmensyuita&#8221;), Layli (&#8220;Layli va Majnun&#8221;), Chundari (&#8220;Sevgi tumori&#8221;), Egina (&#8220;Spartak&#8221;) kabi obrazlari ba- diiy yuksakligi, ijro texnikasining mukam-malligi, Evropa mumtoz raqsini an&#8217;-anaviy o&#8217;zbek raqs harakatlarida uyg&#8217;unlashtirilishi b-n ajralib turadi. &#8220;Oqqush kuli&#8221;, &#8220;Navruz&#8221;, &#8220;Shahrizoda&#8221;, &#8220;Sevgi tumori&#8221;, &#8220;Kashmir afsonasi&#8221;, &#8220;Sevgi afsonasi&#8221;, &#8220;Boqchasaroy Favvo- rasi&#8221;, &#8220;Esmeralda&#8221;, &#8220;orzu&#8221;, &#8220;Knyaz Igor&#8221;, &#8220;Buron&#8221;, &#8220;Faust&#8221;, &#8220;Zebunniso&#8221;, &#8220;Umar Xayyom&#8221;, &#8220;Al Farg&#8217;oniy&#8221; kabi ope- ralarning raqslarini sahnalashtirgan. I. yangi turdagi o&#8217;zbek mumtoz raqs maktabi asoschilaridan. U Farg&#8217;ona, Bu- xoro, Xorazm xalq raqslari va Evropa raqsining ijobiy ta&#8217;sirida zamon mum- toz rake miniatyuralarining yaratuvchisi va mohir ijrochisi sifatida tanildi. M. Ravelning &#8220;Bolero&#8221; baleti, shuning- dek, M. Ashrafiyning &#8220;Dilorom&#8221; opera- si uchun &#8220;So&#8217;g&#8217;diyona&#8221;, &#8220;Xindi&#8221;, &#8220;Arab&#8221; va &#8220;Farg&#8217;ona&#8221; kabi mustaqil xoreografik miniatyuralar yaratdi. Qardosh xalqlar, Sharq va b. xalqlarning milliy xore- ografik san&#8217;atini o&#8217;rganib, &#8220;Jahon xalqlari raqslari&#8221; kontsert dasturini tuzdi. Uning repertuarida Hindiston, in- doneziya, Myanma, Suriya, Misr, Meksi- ka, Argentina, Kuba kabi turli mamlakat xalqlarining milliy raqslari mavjud. I. &#8220;Bahor&#8221;, &#8220;Lazgi&#8221; va b. ansambllarda ko&#8217;pgina raqslar sahnalashtirgan. Bir qancha mamlakatlarda gastrolda bo&#8217;lib, tomoshabinlarni o&#8217;zbek xalq raqslari b-n tanishtirgan. I.ga bag&#8217;ishlangan &#8220;umr- ga teng raqs&#8221; filmi suratga olingan (1984). Hamza nomidagi O&#8217;zbekiston dav- lat mukofoti laureati (1970). &#8220;Shuhrat&#8221; medali (1997), &#8220;Do&#8217;stlik&#8221; ordeni (1998) b-n mukofotlangan. Ad.: Avdeeva L., Galiya Izmaylova, T., 1975. Mohina Ashirova.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Izmaylova Galiya Bayazitovna (1923.12.2, Tomsk) \u2014 balet artisti, ba- letmeyster. O&#8217;zbekiston xalq artisti (1951). Toshkent balet maktabini (1941), Toshkent teatr va rassomlik san&#8217;ati in-ti (1961)ni tugatgan. 1941 y.dan na- voiy &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/izmaylova-galiya-bayazitovna\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[199],"tags":[],"class_list":["post-129930","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/129930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=129930"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/129930\/revisions"}],"predecessor-version":[{"id":129942,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/129930\/revisions\/129942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=129930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=129930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=129930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}