Ikromjonov Akmaljon To’raevich (1952.20.4, Toshkent) \u2014 rang- tasvir ustasi, O’zbekiston ba akad. (1997), O’zbekiston xalq rassomi (1998). Respublika rassomlik bilim yurtini tu-gatgan (1971), I. Repin nomidagi ras- somlik, haykaltaroshlik va me’morlik intida ta’lim olgan (1971-77). M. Uyg’ur nomidagi san’at in-ti (hoz. Mil- liy rassomlik va dizayn in-ti) da peda- Gog (1977-82); 1990 y.dan prof. I.ning dastlabki asarlarida mahobatlilik, ulug’vorlik ko’zga tashlanadi; 80-y.lar- ning 2-yarmidan rassom vatandoshlari qiyofasi va ruhiy dunyosini, tabiat va uning sahovatini, tarixiy shaxslar, ij- timoiy mavzularni milliy yorqin, o’ziga xos tarzda uyg’un ranglarda, umumlash- ma, ramziy cheksiz makonda tasvirlaydi: “Rassom Bahodir Jalolov” (1976), “Chin- giz Ahmarov portreti” (1980), “Surxon- Daryo zamini” (1985), “Rahimbobo”, “bo- domxon aya portreti” (1986), “Alisher Navoiy”, “Kamoliddin Behzod” (1988), “Bobirga bagishlov” (1990), “Mirzo Ulug’bek portreti” (1994), “mevali na- tyurmort”, “qumg’onli natyurmort” (1996) va b. “Moviy qo’shiq”, “Bahor”, “tog’dagi soy”, “na’matak guli” (1998-2002) manzaralari Toshkentdagi Oqsaroyni bezab turibdi. “Zamin navolari” trip- tixi (1988), “chaqmoq” (1989), “Orol \u2014 mening dardim” (1989-90) asarlari uchun Hamza nomidagi O’zbekiston dav- lat mukofotiga sazovor bo’lgan (1990). I. haqida “Akmal” telefilmi yaratil- gan (“O’zbektelefilm”, 1999). I. asar- lari b-n respublika va chet mamlakatlar ko’rgazmalarida qatnashadi. Asarlari ay- Rim respublika va xorijiy muzeylarda, shaxsiy to’plamlarda saqlanadi.<\/p>\n","protected":false},"excerpt":{"rendered":"
Ikromjonov Akmaljon To’raevich (1952.20.4, Toshkent) \u2014 rang- tasvir ustasi, O’zbekiston ba akad. (1997), O’zbekiston xalq rassomi (1998). Respublika rassomlik bilim yurtini tu-gatgan (1971), I. Repin nomidagi ras- somlik, haykaltaroshlik va … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[199],"tags":[],"class_list":["post-129957","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/129957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=129957"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/129957\/revisions"}],"predecessor-version":[{"id":129969,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/129957\/revisions\/129969"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=129957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=129957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=129957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}