Ixtiyorov Baxtiyor (1940. 28. 3, bu- xoro) \u2014 O’zbekiston xalq artisti (1989). Toshkent teatr va rassomlik san’ati in- tining musiqali drama f-tini tu-gatgan (1963). Muqimiy teatrida aktyor va rej. (1959-76), bosh rej. (1980-88), 1976-80 y.lar A. Hidoyatov nomidagi teatrda, 1988-91 y.lar satira teatrida bosh rej., aktyor (1991 y.dan shu teatrda aktyor, rej.). Eng yaxshi rollari: Asad (“Oltin qidiruvchilar”), Ko’sadov (“Ravshan va Zulxumor”), Asad (“kimga to’y, kimga aza”), Abubakr (“jon qizlar”), Tohir (“Ishqing bilan”), par-voz (“ajab sav- dolar”) va b. Kinodagi yirik rollari: Hasan (“ajoyib xayolparast”), Baxtiyor (“cho’l usti osmon”), Baxtiyor (“yor-yor”), Qo’g’irchoqboz (“o’tgan kunlar”), Hofiz (“Nodirabegim”), et-tinchi jin (“et- tinchi jin”), Suhrob (“Abu Rayhon be- runiy”) va b. Rej. sifatida “Ezop” ( G. Figeyredu ), “yolg’onchi darkor” (D. Psatas), “Jumagul” (T. Qaipberganov), “Jonim fido” (I. Rahim), “kimga to’y, kimga aza” (N. Safarov), “Xotinimning eri” (g. Xugaev va K. Pliev), “Otasi- ning qizi” (Isfan-Diyor), “so’nggi o’q” (O’. Umarbekov), “aka-uka sovchilar” (R. Muhammadjo-Nov), “Layli va Majnun” (A. Navoiy), “Tohir va Zuhra” (S. Abdul- la) kabi spektakllarni sahnalashtirgan. I. komik aktyor bo’lib, obraz yara- tishda ifoda vositalarini tezkorlik b-n kengaytirish, voqeaning ijtimoiy mohiyatini, o’z san’ati jihatlarining hajviy tomonlarini chuqurlashtirish, bo’rttirib ko’rsatish qrbiliyatiga ega. Uning hajvlari kuldiribgina qolmay, balki kulgu ortiga yashiringan dardi ki- shini o’ylashga majbur etadi. “Mehnat shuhrati” ordeni b-n mukofotlangan (1999).<\/p>\n","protected":false},"excerpt":{"rendered":"
Ixtiyorov Baxtiyor (1940. 28. 3, bu- xoro) \u2014 O’zbekiston xalq artisti (1989). Toshkent teatr va rassomlik san’ati in- tining musiqali drama f-tini tu-gatgan (1963). Muqimiy teatrida aktyor va rej. (1959-76), … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[199],"tags":[],"class_list":["post-130012","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130012","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=130012"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130012\/revisions"}],"predecessor-version":[{"id":130018,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130012\/revisions\/130018"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=130012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=130012"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=130012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}