Ismatova Yulduz Asadovna (1944.31.10, Toshkent) — raqqosa, aktri- sa, baletmeyster, rej. O’zbekistonda xiz- mat ko’r-satgan san’at arbobi (1995). A. Ismatovning qizi. Toshkent xoreografiya bilim yurti (1965)ni hamda Toshkent te- ATR va rassomlik san’ati in-ti aktyorlik (1976), rej.lik (1984) f-tini tugatgan. 1963-88 y.lar Muqimiy teatrida ishla- gan. 1997 y.dan M. Turg’unboeva nomidagi “O’zbekraqs” milliy raqs birlashmasi- ning bosh direktori. Eng yaxshi raqslari: “Tanavor”, “Munojot”, “Gulchi qiz” va b. Ijro etgan rollari: Qumri (“Nurxon”), Malika (“oddiy mo”jiza”), Charlston (“Hijron”), Zarifa (“Xotinimning eri”), ofat (“Qaynona”) va h. k. Rej. si- fatida “Dilafro’zga to’rt oshiq”, “Oltin davrim”, “Yulduzlar jamoli” kabilarni sahnalashtirgan. 1988 y. “O’zteleradiokompaniya” qoshida “Tanavor” raqs-ansambli (1997 y.dan raqs-teatri)ni tashkil etdi. “Sev- gi nidosi” (A. Navoiyning “Sab’ai say- yor” asari asosida), “Nodira”, “Ulugbek burji”, “Qo’qon ayoli” (an’anaviy musiqa va raqslar asosida), “Sevgi vasfi” (“ta- navor” janridagi raqslar yig’indisi), “Moziydan nur”, “Temuriy malikala- ri”, “Uvaysiy” kabi raqs-teatrlarini sahnalashtirdi (libretto muallifi ham o’zi). “Sharq taronalari”, Frantsiya \u2014 Parij\u2014YUNESKO qarorgohida “Amir Te-Mur” teatrlashgan kontsert dasturi va b.ning bosh baletmeysteri. Lirik jo’shqinlik, doimiy izlanuvchanlik, moziyga ziyraklik b-n murojaat etish, mumtoz asarlarga katta qiziqish va mexr b-n yondashish I. ijodiga xos. “Do’stlik” ordeni b-n taqdirlangan (1998).<\/p>\n","protected":false},"excerpt":{"rendered":"
Ismatova Yulduz Asadovna (1944.31.10, Toshkent) — raqqosa, aktri- sa, baletmeyster, rej. O’zbekistonda xiz- mat ko’r-satgan san’at arbobi (1995). A. Ismatovning qizi. Toshkent xoreografiya bilim yurti (1965)ni hamda Toshkent te- ATR … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[199],"tags":[],"class_list":["post-130075","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130075","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=130075"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130075\/revisions"}],"predecessor-version":[{"id":130085,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130075\/revisions\/130085"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=130075"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=130075"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=130075"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}